Are you upset he's dying now? the writers are asking. Are you going to stop whining now? Well no, I still don't care, and that might have something to do with the fact that - according to Corriepedia - Oliver made seven appearances in the entirety of 2019. As the great philosopher Dr Hannibal Lecter once said, "we covet what we see every day", and it's hard to care about a character everyone forgot existed for a year. On the plus side, we seem to be entering the final days, with Steve failing to persuade Dr Schmitt to change his mind, and Nicky stopping Natasha from donating her £20,000 because it would just be throwing good money after bad, so with any luck we won't have to see that hospital corridor for much longer.
Paul is a precious unicorn. The most important thing that happened this week was Paul wore a rainbow onesie to just chill round the house. Every other storyline paled into insignificance beside this magnificent outfit. In fact, let's take a look at its full majesty, shall we?
Astonishing. That's why Billy wasn't even tempted by Todd's declaration of love; could Mr Grimshaw pull that look off? No he could not. Todd still bounced round the Street trying to split up Billy and Paul but so far they've held firm. Of course, they won't for long, because this is a soap opera and nobody is ever truly happy. Todd will probably go to Midnight Mass and eye him up from the pews and they'll break all sorts of commandments in the vestry - merry Christmas one and all! I'd be very disappointed if that happened, because Billy's already been with Todd; it feels regressive for him to go back there when there's still one gay man on the Street he hasn't slept with. Look out James, you're all he needs to complete the set.
Incidentally, if you're thinking "but how can Todd be running about the Street when he has a price on his head?", don't worry, that's all sorted now. Even though last week Mick was literally pointing a gun at him and threatening to kill him, all Eileen had to do was have a stern word and he rolled over and let Todd off. Which raises the question, why did they bother with all that gangster nonsense in the first place? Urgh. Let's have another look at Paul's onesie to clear the palate, shall we?
Jenny will probably need all the family support she can get seeing as Johnny looks like he's headed for prison or hospital. In my rundown of last week's terrible episodes I didn't have space to mention Scott, his awful name, and Johnny, because there were much worse storylines around, but it took centre stage this week as a giant pile of manure stinking up the screen. I just want Johnny to take Jenny aside, say "look, I couldn't stand Scott really, which is why I spent forty years ignoring him. How about we stop inviting him round?", and then we can all move on with our lives. Instead we've got another gun story coming up with an MS-sufferer in his sixties acting as the getaway driver and it's rubbish.

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Not all children are equal. For months now, children have been neither seen nor heard, with the producers telling us that coronavirus restrictions mean they can't allow kids on set. How then do they explain both Sam and Dylan turning up this week while, say, Jack and Ruby remain AWOL? Is there a hierarchy of children? Are the regulars too important to risk, but hey, these kids are only guest stars so they can be sacrificed? That seems harsh. Still, it was nice to see Dylan, and also nice to see that spending his entire life in London hasn't stopped him developing a thick northern accent. Funny that.
Apparently that awful hipster man has 2.8 million followers. I've only got fifteen hundred, but on the other hand, I'm not ghastly. Or am I? Have a look on Twitter @merseytart.

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