Novels by Coronation Street Blog Editor Glenda Young

Saturday, 30 January 2021

Conversation Street Podcast Episode 455


On our latest podcast, we have a deep dive into the episodes of Coronation Street broadcast in the UK between the 25th and the 29th January (Episodes #10231 - 10236).

This week, in some shocking scenes that really emphasise the horrors of alcoholism, Peter reaches his lowest point yet - can Ken and Carla stop him drinking himself into an early grave? Meanwhile, the outcome of Debbie's confrontation with Ray is revealed, Grace and Aggie lock horns once more, and Gail fannies about.

In the Kabin we chat about the recent(-ish) news that Malcolm Hebden has retired, meaning  no more Norris on the Street, and we finish off the podcast with some listener feedback.

Street Talk - 00:15:20
The Kabin - 03:00:09
Feedback - 03:09:17


For this week's bonus podcast, we do a character profile of the Great Magnifico and Weatherfield Jiggle-o, Geoff Metcalfe. From his humble beginnings as that annoying bloke who Audrey meets in hospital, to his ultimate destiny as one of Corrie's most loathsome villains, we take a look back over his two and a half years on the cobbles, and wonder what could be in store for Yasmeen now she's finally free from his control.


You can subscribe to our podcast on iTunes, stream all our old episodes on our own site here, or click the play buttons above to give it a listen from the comfort of this very blog!








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Coronation Street weekly update – January 30, 2021

Corrie weekly updates from 1995
All the wit and warmth of Weatherfield
None of the waffle - and all for just 99p


Ray disappears and Debbie tells Abi she’s pushed him in the canal. Abi believes her, and so did I until Ray turns up in a bedsit, alive and well and talking to Debbie. It seems she’s going to smuggle him out of the country to Turkey in return for him giving her the Bistro and all of his business. At least, I think that’s what’s going on. I’ve kind of lost track but it doesn’t really matter because it means more screen time for the wonderful Sue Devaney, who plays Debbie. She lights up my telly every time she comes on screen. Better still, Debbie tells everyone who had sold their homes to Ray that she’ll buy them back at the same price they sold them.  This is good news to Tracy Barlow who overhears David and Shona say they can’t afford to buy back No. 8 and Tracy goes in for the kill.  Debbie also gives Kev his garage back. What a gal.

Over at Underworld, Gail stores boxes of her belongings and finds an old photo of a woman named Fanny. Stop giggling at the back. Anyway, Fanny turns out to be a long-lost relative of Gail’s who’s also related to George the undertaker. There was a wonderful scene with George and Audrey having a drink in the Rovers and reminiscing about George’s undertaker uncle Archie Shuttleworth who wooed Audrey back in the day. 

Peter’s shaky and sweaty this week as he battles the bottle and fails. He collapses with a seizure and is rushed to <<HOSPITAL KLAXON>> the Kate Oates memorial ward at Weatherfield General.  The nurse attending tells Ken that the only way for Peter to get through this is by allowing him some alcohol, treating it as medicine, otherwise he’ll go on a bender and end up killing himself. Ken does his best but it’s hard on them all. Carla calls on Peter to find him writing a goodbye note to Simon, which Carla not only reads, not only tears out of Peter’s notebook but reads to Simon in front of Peter, almost sending him over the edge. I fear she’s gone too far, and so does Peter, he tells her she’s the reason he drinks and she’ll be the reason he dies.

Meanwhile, an old friend of Carla’s called Lucas arrives. She met him in Devon and there’s chemistry between them. Imagine a Venn diagram with Nick Tilsley in one circle and Peter Barlow in the other. In the middle is Lucas, that’s just how he looks. He talks to Carla on business then invites her to spend a mucky weekend with him in a hotel. What’s it to be, Carla? A lusty weekend with luscious Lucas or a pity party with Peter? She’s tempted and packs her bags and is ready to head off with Lucas. But then Peter pleads with her not to go. He says he needs her, he tells her he’s sorry for everything he ever said to her, every nasty last word. The scene ends with Carla walking away with Lucas… and the next scene opens with her walking back to the Barlow’s. And so here we go again.

At the Baileys, Grace moves in with Michael but I’m still fast forwarding through these scenes, I’m afraid. Aggie - I’d love to see more of. Michael - I can tolerate but Grace and Edison, as the parlance of the day goes, do my bleedin’ head in. 

Elsewhere this week, Todd continues his nasty plan to split up Paul and Billy. There was a funny scene when a piano makes its way up to the steep, narrow stairs to Billy and Paul’s flat (let’s not ask how or why) and Billy plays the cucumber song while Paul dances along. It really made me laugh out loud. 

And finally this week, Nina and Asha grow close in Roy’s Rolls, a prelude to their romance. What Dev might have to say about this remains to be seen.

And that’s just about that for this week.

Remember, you can sign up to get these Corrie weekly updates by email at http://www.corrie.net/updates/weekly/subscribe.htm

This week’s writers were Owen Lloyd-Fox and Susan Oudot (Monday); Jayne Hollinson and Julie Jones (Wednesday); Debbie Oates (Friday). Find out all about the Coronation Street writing team at Coronation Street Blog: Exclusive: All Current Corrie writers online







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Mollie Gallagher interview: Romance for Nina & Asha


How has Nina and Asha’s friendship blossomed?

Their friendship started a while back when Nina stood up for Asha when she went through her sexting ordeal. 

What makes their friendship work?

Nina is so free and I don’t think Asha has ever known anyone like that. When Asha met Nina I think she was wowed because Nina is so different and maybe someone that Asha wishes she was a bit more like in terms of Nina’s ‘don’t care’ attitude. 

What is Nina’s reaction to Asha dumping Corey?

She is impressed that Asha has done what she should have done and that she is starting to realise her own worth. Asha does it in such a strong way and tends to not always believe in herself so this surprises Nina and makes her see Asha in a different way. 

Tell us what happens between Asha and Nina

From Nina’s point of view, that moment came out of the blue. Nina’s feelings for Asha have been a slow development and at first she was just always being a good friend. Nina is a passionate person and does things with a lot of detail but in the beginning, she was just being nice and friendly and wanting to help and be there for Asha. But over time their friendship has become stronger and it has developed into this point. 

Do you think Nina and Asha are a good match?

Yes, because they are quite different so they are two really good characters that can learn from each other. It is a really nice match.

Dev does his best to make Nina feel welcome. How does Nina deal with people judging her?

Nina does tend to act unfazed by things like that but internally she does have moments where things get to her. I do think she has a hard outer shell and she does like who she is and that overrides what anybody else thinks of her because she is so content with who she is. 







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Friday, 29 January 2021

Corrie Comicals week ending 29 January 2021


Well that proves it beyond all probability.  There is a writer's competition for the nearest the knuckle line each week - I wonder what the prize is?  No doubt the saga of Gail's (and later Top Hat) fanny will keep them rolling in the aisles for weeks and that was just after Gail had referred to "willy-nilly" packing of the box!

The story that Debbie told Abi was so realistic I reckon that the former should become an actress; oh whoops she is!  The good lady wife reckons that Debbie planned the entire development to ruin Ray Crosby following their earlier encounter and I pooh-poohed the idea when she aired her thoughts but re-watching this incredible piece of story-telling I think she is right - she has engineered Ray into losing everything and that was her plan from the very beginning.  


And there we have it.  Stitched him up like a kipper!


We all know that "Opposites Attract".  Clearly Aggie delivering steam and heat and annoyance at her pregnant daughter out of law (above) and Grace are not opposites.  So I think we can see what Michael sees in the latter - a mini-mother figure.  Neither are going to back down and indeed Grace starts the wind up once Michael is out of earshot saying how much she hates ironing!  Number 3 is going to be troubled house until one of them leaves - probably Grace deciding to do another runner like all the runners she has done in the past.


We know you better than that Mr Cropper, you simply want to eavesdrop so that you can later point out to Carla that Peter's behaviour reminds him of his Hayley and a conversation they had when she was putting her world in order.  Which then leads to Carla running around growing ever more demented looking for Peter who can apparently go missing in the blink of an eye.  Actually if the above line had been delivered by Mary I know it would have been to enable eavesdropping but I always thought Roy would rise above such deception.


Talking of Mary, she was giving it full welly when she advised Gail not to get involved with Gorgeous George who was currently draining his spuds!  A little later Gail also provided a little background on harridan Eileen - unhinged and bitter to the core - grim by name, grim by nature.  They also exchange thoughts about each other partners:
Gail: Brian Tilsley (dead), Richard Hillman (dead);  Joe McIntyre (dead); Michael Rodwell (dead).
Eileen: Dennis Stringer (dead); Tony Stewart (dead); Michael Rodwell (dead); Pat Phelan (dead).
No I am not sure that is a complete listing in either case - but men would be advised to avoid both!
Leaving that aside these scenes are what Corrie has been missing - more please!!


Peter has been found in what looks like (to me) the same hotel bar where Abi was filming the showdown between Ray and the planning committee chair last week.  Ken has told Peter there should be a family meeting - to which Peter simply observes that the absence of Dreary and Blanche will inevitably be a great loss!  


Julie Jones wrote this episode and I suspect has a real feeling for the Barlow family dynamic giving this line to Peter almost immediately after the previous one.  And after some more barbed exchanges between them Ken pours Peter's whisky into the slops tray - which earns him a swift right hook from Peter flooring Ken and providing a bloody nose!


The rollicking fun continued on Friday with Debbie Oates.  Kev has also sussed that Debbie is up to something and if she is handing back houses at cost and Streetcars etc then she has a plan which looks after Number One - and that is not where Ken Barlow resides!


If I were as ill as Peter I am not sure I could string a couple of words together so this observation by him of Roy's alleged emotional intelligence was better than I would manage.  Roy, I am sure, sees Carla as his daughter and even if he cannot tell her off for going out in the rain with wet hair he will still want to try and ensure she has smooth path in life - all credit to him.


Finally Nina also deigned to entertain tonight.  She asked Roy if Asha could have some shifts in the cafe.  Roy responds "I ..." and Nina immediately interrupts and thanks him for approving the suggestion as "Aye" is the word used by those politicians "when they vote in some stupid laws to make themselves richer" (above).

Written by: Owen Lloyd-Fox & Susan Oudot (Monday); Jayne Hollinson & Julie Jones (Wednesday);  Debbie Oates (Friday)
Directed by: Brett Fallis (Monday); Becky Wild (Wednesday & Friday)

Kosmo
@Kosmo100






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