Showing posts with label michael rodwell. Show all posts
Showing posts with label michael rodwell. Show all posts

Tuesday, 31 October 2017

A Requiem for Andy Carver


There is much attention on Phelan and his dastardly dealings, at the moment, along with speculation as to who might be his next victim. But, I’d like to take a moment and reflect on the life of Andy Carver.


When Andy was shot dead by Phelan, he was 32 years old. He was in the early summer of his life and if he had been released, his joy and relief would have made him live a good and happy life, his imprisonment having most surely shifted his perspective as to what is important in this life.


To have your freedom snatched away, to live in a filthy damp cellar, in almost solitary confinement, apart from the odd, brief exchanges between him and Phelan, his jailer, not having any idea as to when or indeed if, you will ever be released, must be one of the cruellest punishments.  This, as well as knowing that the world continues to turn without you and that your chances of joining the society you were so cruelly removed from must be diminishing with each passing hour. Deprived of comfort, light, warmth and company, it is a testament to Andy that he survived it all for so long. Phelan did bring him food and medical supplies intermittently, but no promises were made about Andy’s chances of escape.

Andy must have craved contact with the outside world and when a chance appeared, Andy promised that he would say nothing to the police about Phelan and what had happened. A plan was hatched, and Andy would be released. Andy’s mixture of fear and relief was almost tangible. But Phelan, nothing if not cunning, staged an  ‘escape’ and crashed the van, ‘allowing’ Andy to run to freedom. According to Phelan, Andy had failed his ‘test’ and was recaptured. It’s hard to imagine the state of Andy’s emotions as he felt freedom was his, only to find himself recaptured and back in the cellar, chained up. Devastating. 
Andy, I’m sure, will have thought of his beautiful girlfriend Steph, played by the stunning Tisha Merry. The plan was that they would meet at the airport and fly to Portugal. Phelan intercepted the plans and sent a text from Andy’s phone saying that Steph was better off without him. Poor Steph and poor Andy – both ensnared by Phelan and ensuing misery for both.


On his discovery that Nicola was his daughter, it seemed as if a change for the better was imminent in Phelan. Andy suggested the idea of the replacement prisoner, which Phelan thought initially, was ridiculous. He then had a rethink and thought it would be a good idea to capture Vinny, the man who ran off with the money after the flats fraud. Andy must surely now have been thinking that his freedom was but hours away.
Instead, Andy was forced to murder Vinny, and then, after all that time, hopes dashed, then renewed, time and time again, Phelan shot and killed Andy. Andy pleaded for his life, ‘Because underneath it all you’re a good man and no murderer.’ These words rang out hollowly for Phelan.
Phelan would never have taken Andy at his word, so in Phelan’s head, there could only be one solution for Andy. This was heart-breaking – bad enough that he had been held in a cellar for months, but to then be murdered is just too unbearable.
Did we, as viewers, really believe that Phelan would allow Andy to be free? I believe we hoped he would, but in our heart of hearts, we knew that Andy was doomed, once caught in Phelan’s web, the man who watched dispassionately as Michael Rodwell lay in front of him breathing his last and making no effort to help.

So, Andy, really sorry for the lost months there in the cellar - you suffered so horrendously and so sorry too for the years you should have had, growing into middle then old age, possibly with the wonderful Steph. All hope is gone now. Rest in Peace, Andy Carver, and if there is a heaven, I sincerely hope you get there.  

By Ruth Owen, @Ruth1722 



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Sunday, 16 April 2017

Pics: Les Dennis as you've never seen him before

Les Dennis, who played Michael Rodwell in Coronation Street, has swapped the Street's most dysfunctional family for another one on stage.

Les is starring as Uncle Fester (pictured above) in The Addams Family musical.  The show starts its run in Edinburgh before a full UK tour.  You can find out the schedule here.

Samantha Womack will play Morticia in the show.

Speaking on this morning's Weekend show with Aled Jones, Les said that he'd gone for the full shave of his head rather than the agitation of wearing a bald wig eight times a week.

And talking about his exit from Coronation Street at the hands of evil Pat Phelan, Les said that he was glad he got that kind of exit rather than just waving out of the back of a taxi or dying in a chair at the Platt house.

See also: Win tickets to the GranadaLand wrap party!



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Saturday, 19 November 2016

Horror has a Face in the Heart of Darkness

Roy Cropper spoke of lemon drizzle when he explained Aristotle’s golden mean to a politely baffled Rita in last night’s Corrie, but this philosophy on achieving balance between extremes held a message for Pat Phelan, deficient in morals, and Michael Rodwell, reckless in his pursuit of the truth, as the battle between the pair came to a head with devastating consequences.

Having had the scam confirmed by Anna after she heard a voicemail on Phelan’s stolen mobile, Michael goes to the site for evidence while she distracts Pat. Not convinced by her offer of £2,000 to leave Weatherfield, the game is truly up when Phelan hears his lost phone ringing and learns from a delivery man that someone fitting Michael’s description has just accepted a delivery. This leads Pat straight to the site where he catches Michael just as he finds the fake passport and ticket to Mexico.

What ensued is arguably one of the darkest events we’ve seen on Coronation Street, as Phelan calmly allowed Michael to die of a heart attack without offering any assistance. We’ve seen some tragedies unfold on Corrie over the years, but there is always a safety and security running parallel, whereas the site of the false flats holds no such comfort, and it’s for this reason that it was fitting for it to occur off the cobbles. It told us of an otherness, a horror, that lurks beyond its parameters, but nevertheless hides in plain sight.
Phelan’s Ride of the Valkyries ringtone reminded me of Francis Ford Coppolla’s

Apocalypse Now in which the strains of this third act piece by Wagner feature. Those who’ve seen the film will know of the formidable Colonel Kurtz, and it was as if Phelan himself took on this role, holed up in his false kingdom. “Horror has a face, and you must make a friend of horror” Kurtz declares, “Horror and moral terror are your friends. If they are not, then they are enemies to be feared.” It strikes me that somewhere along the way Phelan has adopted a similar stance.

Kurtz, of course, is pursued by someone in search of truth, and Apocalypse Now being an adaptation of Joseph Conrad’s novel Heart of Darkness, there is a parallel to draw between Michael and the book’s character Marlow in their decision to leave safety and certainty for the unknown in pursuit of their Kurtz. “It was written I should be loyal to the nightmare of my choice” spoke Marlow, “I was anxious to deal with this shadow by myself alone.” This was Michael’s downfall.

The predicament in which Phelan found himself as he was faced with the realisation that Michael knew all was an interesting and complex one which revealed a lot about him as a person. It registers on Michael’s face that his death is the only viable option as far as Phelan is concerned. As he appeals for mercy and tries to persuade Pat to do the right thing, Phelan does seem to struggle with the deed, searching deep within himself for the capacity to do it. 

We’ve long wondered at the existence of Pat’s conscience. Were we about to see evidence of it? When Michael suffered a heart attack, Pat’s solution was presented to him and he saw it as a blessing which spared him having to kill him and even saw him likening himself to one of Napoleon’s ‘lucky’ Generals. The only way we could possibly see his conscience now is if he called for help, but he didn’t.

When Kylie Platt lay dying in the arms of her husband, she told him, “That’s the David Platt that I loved. The kid who cried when his rabbit died”. As cold and calculating as David has proven himself to be, we also know of his capacity to love and to feel emotion. Maybe this is why he can be villainous, but at the same time, is not considered a Corrie villain in the traditional sense. However, as Pat Phelan calmly watched Michael die of a heart attack, we learned of a very different childhood experience concerning a rabbit. 

Our first insight into Pat’s life prior to his appearance on the cobbles would be a chilling one as he recalled being a child with an air rifle, setting out to kill the creature instantly, but fatally injuring it instead. While he claims his nature wouldn’t allow him to put it out of its misery, he nevertheless watched it die, and was able to recall its final moments in some detail which, for me, was the most sinister element of his recollection. As Pat did exactly the same to Michael last night, we can surmise that he has had this in him since he was a boy. 

The logic he uses to divest himself from any responsibility for Michael’s death adds another dark dimension. Watching Michael suffer without a glimmer of conscience, regret, doubt or anguish, he tells him of the rabbit, “I felt really bad Michael, ‘cos it was my doing, you know. But not this time. It just so happens your time’s up.” Phelan’s warped justification for his lack of feeling or action gives us a chilling insight into his mindset.

But what of his claim that he’s too ‘soft’ to be a murderer? Can this really be the case, or is it perhaps cowardice? The only hesitation he showed was at the point where it looked as if he’d have to kill Michael and while he did say he’d ‘make it quick’, we’ll never know if he’d have done the deed had fate not intervened. What we can be sure of is that we know more about Pat Phelan after tonight, and what one of Corrie’s greatest villains might be capable of.

All of this unfolded courtesy of compelling performances from Connor McIntyre and Les Dennis and a stellar script from Chris Fewtrell. Also of note is the fact that we had no idea how this would play out, which undoubtedly contributed to the fact that I was on the edge of my seat throughout. It’s great for Les Dennis to have been given such special episodes to depart on, and for Michael to have stayed true to himself to the very end.

By Emma Hynes
www.emmahynes.net
Twitter: @ELHynes
Facebook: @EmmaHynesWrites
Instagram: emmalouhynes

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Friday, 18 November 2016

In pics: We say ta-ra to Michael Rodwell

Farewell then, Michael Rodwell.

Michael turned up in Corrie in March 2014 as a burglar trying to rob Gail.  Unable to resist his charms, Gail fell in love with him and asked him to move in.

Michael decided to trace his family. He found his aunt Barbara, remember her?


Aunt Barbara told Michael that his dad had died from a heart condition at the same age as himself, and the condition was genetic.


Michael found his son Gavin who turned out to be Andy using his flatmate Gavin's ID as his own.  When the truth came out, Michael's heart almost gave out.

Gail proposed to Michael. Their celebrations were cut short when Michael collapsed and had an operation for open heart surgery.

Michael was keen to marry Gail but she stood him up on their wedding day after being confronted by fGavin who blackmailed her over deceiving Michael about who his real son was.


Michael and Gail decided to go through with a second attempt at their marriage. Although both arrived at the altar, the guilt of lying to Michael caused Gail to tell him she couldn't marry him. Michael got upset and left, but Gail brought him back and the pair finally tied the knot.


When the real Gavin died and Michael found out that Gail had known all along about Andy being his fake son, he left her for Eileen. But canoodling on the sofa with Eileen one day, his heart gave out and he ended up in hospital again.


When things fizzled out with Eileen, and believing that Gail wasn't interesting in wanting him back, Michael bought an ice cream van and moved away to Brighton.

When he returned from Brighton, he worked his charms on Gail and ended up in back inside the Platt household once more. 


Ah, but then, he took on Phelan ...


...and we all know what happened next.


So farewell, Michael Rodwell. RIP and sleep tight. And thankyou, Les Dennis, for it all.

And now, here's some of his best bits:



With thanks to Corriepedia! 

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Wednesday, 16 November 2016

Les Dennis on his final Corrie scenes this week

Les Dennis leaves Coronation Street this week and he's been speaking to the Manchester Evening News.  However, he remained tight-lipped about how his character could be getting written out.

Les said: “Phelan had met his match in Michael and we will see what happens. Coronation Street has been the most wonderful show to be part of. To play a character I hope will have made an impact has been great. The Platts are a dynasty and I’ve had the best time.”

Les will star in the stage play She Loves Me at the Menier Chocolate Factory in London. 
Find out more about that here
.

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Wednesday, 9 November 2016

Les Dennis to star in West End play

Les Dennis is to star in She Loves Me, a play in London's West End. 

Les will play Mr Maraczek in the show at the Menier Chocolate Factory. It tells the story of Amalia and Georg who work in a Parfumerie but each have anonymous romantic pen pals which they both live for.

The love story inspired the films The Shop around the Corner and You've Got Mail. She Loves Me was written by Joe Masteroff, with music from Jerry Bock and lyrics from Sheldon Harnick.

The play opens later this month and runs until 4 March 2017.

Buy tickets here.

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Saturday, 26 March 2016

Les Dennis takes seven week break from Coronation Street

I would have loved Michael Rodwell to have left Coronation Street last night driving the ice-cream van, with an off-key chime of Greensleeves as it trundled off the Street.  But I'm pleased to read that the actor who plays him, Les Dennis, is only going to be away from Corrie for seven weeks.

Les is starring in Alan Bleasdale's Down The Dock Road is at the Royal Court Liverpool until 9 April.

The comment comes in a very good interview with the Daily Mail today with Les. He is very honest in the interview, talking about his marriage to Amanda Holden and to his current wife, Claire. He talks about being an older dad and of course about his first few days on the Corrie set as burglar Michael Rodwell.

He says that Coronation Street’s producers have given him a seven-week sabbatical to appear in the play and he’s extremely grateful. He wouldn’t do anything to upset the apple cart in Weatherfield. ‘I love playing Michael Rodwell,’ he says. ‘I’d be happy to still be doing it ten years from now.’ His very first scene involved him slipping out of Gail McIntyre’s house, running up the street and jumping into his getaway van.

‘But I couldn’t understand why there were no keys in the ignition. Then the director said, “It would probably have been better if you’d jumped into your van rather than the crew’s big shiny Mercedes.” But I’d been running up the very cobbles I’d been watching on telly since I was a kid, so no wonder I was nervous.

‘On my first day I was walking down the corridor and there were names like Anne Kirkbride, God rest her soul, and Eileen Derbyshire and Bill Roache on the dressing room doors. I still pinch myself when I go to work. The studios are a 25-minute drive from home. I can do the school runs if I don’t have an early call. My weekends are free. I can plan holidays. It’s a joy.’


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Monday, 21 March 2016

Who is the Better Partner for Eileen - Michael or Phelan?





Michael or Phelan? Who is the more suited to Eileen? What a question I seem to have set myself, but I will do my best to answer it.

It seemed to me that, at least initially, Michael and Eileen were not well suited at all. It is possible that she decided to begin a relationship with him to spite Gail, her long term nemesis. Michael was at a very vulnerable stage in his life, and he needed someone to turn to and someone to comfort him, after the revelation that Gail was in the know concerning the Gandy episode.

While Gail and Michael did seem to fit together as a couple, it never, at least for this viewer, felt that Eileen and Michael were very well suited. There seemed to be no chemistry and no real enjoyment of each other's company, and when they were together if felt forced at times. Letting Michael go seemed relatively easy for her too. No tears, no shouting - all a bit of a damp squib, with Phelan not so much waiting in the wings but rather entering centre stage.



Gail's adoration of her former house burglar was genuine and so maybe now Michael will learn to forgive her for deceiving him and harmony will be restored and Michael will shuffle into the annexe with Gail. He's in no hurry though as he gave Gail a bit of a knockback last week. As ever, time will tell.

Eileen is very attracted to Phelan, though it is unclear whether he is attracted to her, despite what he says and how he acts. In The Rovers Eileen told Liz that she 'fancied the pants off Phelan.' She never said that about  Michael.  After Val cleared him out, he needs a home and someone to attend to his domestic needs. Whatever else he is, my bet would be that Phelan is not a new man.

It is a commonplace to point out that some women are attracted to bad boys. Well, neither Phelan nor Tony could be classed as boys, but they certainly have some bad in them. Somehow, despite his dirty tricks, Tony is more likeable that Phelan. Phelan has a menacing sinister side which is missing in Tony, in my view, though Tony certainly did do unforgiveable  things to Liz, the woman he claimed to love. I would be interested to hear what other viewers think about the relative evils of Tony and Phelan.

Michael is a pretty harmless character really, despite his stupidities and he has, it seems, not had a very happy life. He appeals to the maternal side of women perhaps, as he seems so hopeless and hapless. He was right about Phelan though. Instinctively, he did not trust Phelan one iota.

But is the mask slipping? In the bistro are Phelan and Eileen, when who should walk in but Kevin and Anna. As a rather odd gesture, Kevin and Anna send Eileen and Phelan a bottle of wine. He feels humiliated by the gesture, maybe, or feels patronised. Either way, the gesture hits a raw nerve. Immediately, the mask slips and Phelan is on his feet. He couldn't have got his face nearer to Kevin's if he tried. 'Better be careful what you say about me in public.' he threatens.  On returning to his table Phelan receives short shrift from Eileen. 'That was embarrassing,' Eileen says. 'Maybe they were right about you.'

Does this spell the end for Phelan and Eileen?  Or will he pull the wool back over her eyes? It certainly makes for compelling viewing.

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Sunday, 20 March 2016

Michael's leaving storyline revealed in Coronation Street

Farewell, Michael Rodwell and mind how you go.  Yes, Les Dennis has already left Coronation Street as he takes a break from the show to star on stage.  You can read more on that here.

But how will Michael leave the Street?  Well, we'll find out on Good Friday when he says his goodbye to Gail. 

But if you'd like a little preview, here it is... 

On Wednesday night next week, Michael turns up at the Platt house with a gift for Sarah's baby. He breaks the news to Gail that he is thinking of leaving Weatherfield. Gail hopes to change his mind but Michael believes he's been rejected by her. He then bids an emotional farewell to Andy and Steph and sets off in his ice cream van for Brighton.

When Andy tells Gail that she blew her chance to rekindle things with Michael, she's devastated, fearing she's lost Michael for good and will never see him again. This could mean that when Michael returns, it could be game on for Gail to go after her husband again.

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Monday, 4 January 2016

The faces of Corrie in 2015

As a new year dawns, let's take a look at the faces of Corrie from 2015.

To see the full list of appearances for 2015 on Corriepedia, click here.


In 2015, 262 episodes were broadcast.

1. David Platt (157 episodes)
2. Gail McIntyre/Rodwell (137 episodes)
3. Liz McDonald (136 episodes)
4. Michelle Connor/McDonald (130 episodes)
5. Tracy Barlow (128 episodes)
6. Roy Cropper (127 episodes)
7. Nick Tilsley (126 episodes)
8. Carla Connor (123 episodes)
9. Sally Webster/Metcalfe (121 episodes)
10. Eileen Grimshaw (119 episodes)
11. Anna Windass (119 episodes)
12. Michael Rodwell (114 episodes)

Average age: 47 - the highest its been since 1996

by Llifon

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