Novels by Coronation Street Blog's Glenda Young

Showing posts with label audience research. Show all posts
Showing posts with label audience research. Show all posts

Friday, 3 April 2015

You Have Been Watching: My Audience Research

Ever wonder who makes up Coronation Street's audience? What portion are male and female? What age group do they belong to? What do they do for a living, and from where are they viewing the programme?

Last year I conducted audience research as part of my MA in Film and Television studies for a project entitled Coronation Street: A Survey of Fan Engagement and Viewership.

The purpose of my research was to investigate how changes in technology, the viewing community, fandom and attitudes towards Coronation Street have impacted on how fans view and engage with the programme. My investigation took the form of an online survey completed by 339 viewers, and today I’d like to share a selection of my findings in the category of viewer profile.

Out of 339 respondents, 237 (69.91%) were female and 102 (30.09%) were male.

The majority (171) were aged between 40-59 (50.44%). The oldest respondents, of which there were 9 (2.65%), appeared in the 70-75 category, while 20 (5.9%) were aged between 10-19.

With regard to profession, I discovered that, as with Lyn Thomas’s research on long running radio soap opera The Archers, “the middle-classness” of the respondents was striking. As viewers were requested to type their occupation in a box rather than choose from set answers, I coded all 339 responses into 6 categories; homemaker, professional, student, unemployed, retired, unclear/not provided.

There were 68.44% (232) named occupations which included economist, doctor, professor, engineer, director and nurse. 7.37% (25) indicated that they were students, while 14.75% (50) were retired, often from named professions such as librarian, police officer and teacher. 4.72% (16) of the 339 were unemployed with 3.83% (13) fulfilling a homemaker role. Only 3 occupations (0.88%) were deliberately omitted or unclear.

The majority of viewers, 148 (43.66%) stated they watched Coronation Street in Great Britain with Canada coming a close second at 120 (35.4%). 30 (8.85%) of those who completed the questionnaire were viewing from the USA, and 22 (6.49%) from Ireland. I found the latter surprisingly low considering that’s where I am from, and Coronation Street airs on the same days and times here as it does in the UK. Indeed, it has been reported in the Irish Times that more than 40% of UTV Ireland's audience share in January 2015 came from Coronation Street and Emmerdale, and the post-bus crash episode of Corrie was the station's most viewed programme in their debut month on air with 597,000 viewers tuning in.

While this figure might seem low to those used to seeing ratings in excess of 7 million reported in respect of Coronation Street, to put this in perspective, this constitutes approximately 11% of the population of the Republic of Ireland which is, on average, the same percentage viewing Corrie in the UK.

The remaining 2.65% indicated they were viewing from Australia, New Zealand and central Europe.

I hope you have found this interesting, and I look forward to sharing more of my research with you soon.

In the meantime, you might like to read my previous work on spoilers.

By Emma Hynes
www.emmahynes.wordpress.com
Twitter: @ELHynes

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Sunday, 25 January 2015

Spoiler Alert: My Audience Research

Last year I conducted audience research as part of my MA in Film and Television studies. My project was entitled Coronation Street: A Survey of Fan Engagement and Viewership, and I thought I’d share some of my findings with you. Our blogger Graeme recently wrote an interesting piece on spoilers, and as I have been considering writing on the topic myself, and this was a specific section in my survey, I thought where better to begin?

To spoil, according to the Oxford English Dictionary, is to “diminish or destroy the value or quality of” something, and a spoiler is defined, amongst other things, as “a description of an important plot development…which if previously known may reduce surprise or suspense for a first-time viewer or reader”. Where film and television drama is concerned, revealing too much or ruining the ending for others is a big no no, but this is not the case with soap opera. Indeed, spoilers are generally considered a positive thing, and have long been part of the discourse which surrounds them with the programme makers themselves actively releasing information on upcoming storylines. This makes the spoiler an interesting phenomenon when it comes to soap, and something that has become particularly prolific.

When it comes to Coronation Street, in addition to the usual written teasers of what is to come, we can also find memes, photographs and video previews concerning the week ahead, and in recent times, we've seen ITV release trailers showing actual scenes from upcoming seasons, and big storylines such as Tracy and Rob's wedding and the bus crash. Like Graeme, I too have had the pleasure and privilege of attending ITV for various press days, interviewing cast members about the action to come and viewing previews, and they're always intriguing experiences. The spoiler is most certainly alive and well, but I was interested to know how people perceive and consume them, so it’s over to those who completed my survey.

Of my 339 respondents, 237 (69.91%) were female and 102 (30.09%) were male. 43.95% (149) confirmed that they did read spoilers and made a point of doing so while a marginally greater number, 48.67% (165), only read them sometimes, and don’t go out of their way to do so. Amazingly, only 25 people (7.37%) of the 339 claimed to never read them. Male and female figures in respect of this and other questions on this topic did not deviate much from one another. Spoilers are therefore consumed by 93% of my respondents. But with less than half actually seeking them out, what do the viewing public actually think of them? Naturally word count precludes me from giving a full picture of the huge response I received, but I hope you will find the following summaries of interest. 

Those who responded negatively to spoilers had some interesting and sophisticated insights. Some felt that there was too much information released, and watch in hope that something will appear that they won’t have been expecting. These viewers felt that the volume of spoilers was such that watching the show could almost be considered redundant. They felt that if there was less revealed, their enjoyment and engagement with the show would be greater. It has been interesting to observe some unexpected twists in the interim such as Tracy’s decision to shop Rob to the police, and the mystery surrounding Gavin’s identity to which we were not privy, and these will undoubtedly have been welcomed by such viewers. One insightful respondent felt that if viewers didn’t know what was going to happen, they would be less likely to form negative opinions of the drama to come.

Of those that do read spoilers, the main reason is curiosity and nosiness. A number stated that they wanted to see if what they thought would happen would occur, and also, to see how the storyline would be handled. Spoilers are also a source of excitement for some and used as a means of watching on a selective basis for others, with their choice as to whether or not to tune in motivated by storylines as well as characters. They also act as a substitute if the viewer, such as those abroad, can’t see the programme, but one very interesting observation revealed that spoilers are possibly the reason they are watching less.

Some use spoilers to see when a storyline they aren’t enjoying is likely to end. Others appear interested in which characters will feature and how they are going to be interacting with one another. A number claimed they enhanced their anticipation and viewing pleasure.

One respondent pointed out that an exception to wanting to know an outcome would be in the case of a “whodunit”. It’s an interesting observation, as it is clear that these are very seldom revealed in advance thus retaining the element of surprise and suspense, the ‘Who Killed Tina?’ storyline being a perfect example from 2014.

Some read spoilers to allay fears as to what a character might do and others use them as discursive currency, being the first to be able to tell work colleagues, friends and family what’s going to happen. Others read them out of fear that they will hear about the action from someone else.

Some acknowledged that nothing compares to watching the actual programme, so while they read them, spoilers cannot fully reveal how a performance will be delivered or a storyline played out on screen. Of the small percentage that don’t read them, a number claimed it ruined Coronation Street for them and some preferred to guess what would happen.

In the event that a viewer was feeling disappointed with an upcoming storyline, an impressive 80.53% (273) said they would watch anyway. 12.09% (41) indicated they would take to social media, internet message boards and fansites to complain with 8.85% (30) complaining to others in person. Such a low percentage of complainants is perhaps an indicator of viewer loyalty. In any event, disliking what is to come has a minimal impact on viewership with only 17 respondents (5.01%) indicating that they would stop watching until an undesirable story concluded.

With spoilers being consumed by the multitude, I think we can certainly anticipate their continuance. Perhaps the fact that spoilers exist at all makes unexpected twists all the more exciting when they do occur, and maybe a regular combination of the two would make for an interesting viewing experience. I'd like to express my sincere gratitude to anyone who completed the survey. I hope you have found this blog on what I find to be an intriguing phenomenon interesting, and I hope to cover other areas of my research in the near future.

By Emma Hynes
Twitter: @ELHynes


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All original work on the Coronation Street Blog is covered by a Creative Commons License

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