Novels by Coronation Street Blog's Glenda Young

Showing posts with label the smiths. Show all posts
Showing posts with label the smiths. Show all posts

Sunday, 9 September 2018

Curly Watts: rock star!


One of the things I’ve enjoyed most about watching Classic Corrie on ITV3 is getting to know the young Curly Watts.

Curly was different to other characters on the street. He read Dostoevsky and he quoted Yeats. He bought the Economist and he thought about things. I mean, look, here he is with a mullet staring wistfully from behind Emily Bishop’s curtains:


And here he is pondering the human condition in the Rovers before concluding: “relatively, a micro-second of happiness is all we can expect in this tidal wave of human misery”:


With an outlook as cheery as that, Curly must have been a fan of The Smiths, which would have been bizarre because Kevin Kennedy (actual real name: Kevin Williams) was in The Paris Valentinos - the first band formed by The Smiths’ Johnny Marr.


I recently read Marr’s autobiography and he recalls his time as a teenager jamming with the future Curly Watts: “Lanky and sporting nerdy spectacles, he didn’t quite fit the image of the rock star, but it didn’t bother him one bit as he was a natural showman who gallivanted around the neighbourhood, entertaining everyone with songs and jokes he’d memorised from television and things he had come up with himself. Kevin and I went through some songs from a Beatles book… and I saw that he was good, so I started looking for a place for us to practice while coming up with some songs that we could all play.”


I have also read Kevin Kennedy’s memoir and he remembers turning up at Johnny Marr’s house with his guitar: “I sat on his bed ready to play some tunes with him, while he plugged in his Strat and he started playing. I was amazed - I didn’t think anyone of our age could play like that. Even then, I just knew that this guy was going to be something special and that I was privileged to be the first person ever to play with Johnny like that… I thought that this guy was something else, and not only that, a thoroughly nice bloke.” I’ve met Johnny and I can confirm that he is still absolutely lovely!

The blogger's two meetings with Johnny Marr - in 2013 and 2017

Kevin goes on to say: “that jam session changed things, even more so when Johnny suggested we form a band… he also came up with a name for us, The Paris Valentinos.” For Kevin though, “it wasn’t so much of a band as a social thing; we only really played one gig, which was a Jubilee street party, and we’d only practiced about three songs: we played ‘Anything That’s Rock ‘n’ Roll’ by Tom Petty, Rory Gallagher’s ‘Shadowplay’, and a very slow version of ‘Don’t Believe A Word’ by Thin Lizzy… we played that gig, and then got drunk because we could sneak some cider, and that was really the point of the day for us. We didn’t play much more after that.” Johnny has a similar recollection, although he also remembers ‘Jumpin’ Jack Flash’, Tom Petty’s ‘American Girl’ and a “confused” version of ‘Maggie May’, summarising that “it was a good day. We went home feeling triumphant and drunk. I knew we were scrappy and I felt like a kid, but at least I was a kid in a band.”

The Paris Valentinos soon fizzled out and before The Smiths, Johnny would join Sister Ray and form White Dice. He says that “Kev didn’t mind not joining as he was getting into acting and would eventually join the cast of Coronation Street.”


Curly Watts first appeared on 11 July 1983. In early 1984, Kevin Kennedy performed in ‘Hamlet’ in Sheffield and tells how “one evening, Johnny Marr was playing with his band – The Smiths were now very big news – at the local university, and I went over to see him after we’d finished… he was pleased to see me and we discussed what we were both doing, it was nice for me to be able to say I was on TV regularly and in Hamlet down the road.” What a night out that would have been!  The Smiths gig would have been Sheffield Uni on 31 January 1984. It was a cracking setlist, viewable here.  

Kevin Kennedy may have turned to acting but that didn't stop him from living a rock ‘n’ roll lifestyle. His book details the alcoholism that crept up on him until one day in 1998 when Corrie packed him off to rehab. He’s not touched a drop since.

When he left rehab, Kevin decided to give music another go. He was signed by Simon Cowell who was looking to capitalise on the chart success he had achieved with the actors Robson Green and Jerome Flynn. Kevin recalls meeting with Cowell: “What experience did I have of the music industry… had I ever been in a band before? Well, I said that when I was young I was in an early incarnation of The Smiths. It’s not often when you see people lost for words. After a brief discussion, he said those magic words: ‘Right, let’s do it.’ I signed with BMG.”


The single ‘Bulldog Nation’ was released in June 2000. It didn’t do as well as Robson and Jerome but it did go gold in New Zealand. I think it’s a BRILLIANT song and if you’ve never heard it… then here it is:


In my view, ‘Bulldog Nation’ deserves an immediate re-release. However, I’d rather see Curly Watts make a long overdue return to Coronation Street. It’s been 15 years since Curly left Weatherfield and Kevin Kennedy has made no secret of his desire to go back to Corrie. Perhaps the new producer will be the one to make that call. Stranger things have happened… did you know that Curly Watts was almost in The Smiths?

By Martin Leay, on Twitter @mpleay




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Wednesday, 16 May 2018

George Michael on Coronation Street


George Michael - God rest his soul - lived a colourful life. Apparently though, he was never happier than when drinking tea and watching Corrie in his PJs. A man after my own heart!

I remember reading this interview with him in the Guardian when he said that his guiltiest pleasure was Sunday morning when he saved up “loads of episodes of Corrie to watch”. I was already a fan but he went up further in my estimation when I discovered he was into Coronation Street.

George was renowned for his sense of humour and he loved Corrie because it was “a laugh”. He once said that “even when life is tragic on Coronation Street, it's still funny”. 

I wonder if George ever knew that his face was plastered across the wall of the factory in the late 1980s. I bet he would have got a real kick out of it if he did.

"Well I guess it would be nice... if I could touch your body"

One of my favourite pastimes when watching Classic Corrie on ITV3 is following the winds of change in popular culture in 1980s Weatherfield. Well, that and keeping track of Sally's changing hairstyles.

Although I was disappointed to learn last week that sometime around November/December 1988, the Smiths poster (see previous blog) had been removed, I was cheered by the fact it had been replaced by an image of George Michael from the famous ‘Faith’ video released a year previously. I bet Morrissey was livid!


George Michael was such a big Corrie fan that he once went on a private tour of the set and enjoyed meeting the actors and crew as much as - or possibly more than - they enjoyed meeting him. There are some wonderful accounts of this online and apparently he was there on the day Kate Ford was rehearsing the scene in which Tracy murdered Charlie Stubbs. See this article in the Manchester Evening News.

I guess that means George visited the set in late 2006 or early 2007. Sally Dynevor shared this brilliant photo on Twitter soon after his tragic death. Obviously, I'm dating the set visit from my encyclopedic knowledge of Sally Webster's hairstyles! 


I’m not sure if George would still regard Corrie to be a laugh or if, like the rest of us, he might be questioning whether his beloved soap had featured a bit too much of the tragedy recently at the expense of the comedy.

Still, I'm pretty sure he’d have had faith, faith, faith - and that’s exactly what we've all gotta have. 

By Martin Leay, on Twitter @mpleay





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Wednesday, 28 March 2018

The Smiths in 1980s Corrie


Family and friends aside, I have two loves in life - 1) The Smiths and 2) Coronation Street. As is well documented (for example, in previous blogs here and here), I particularly enjoy it when there is synchronicity between the two.

I noticed in a Classic Coronation Street episode shown on ITV3 last week that the wall of 'Baldwin’s Curtains' (as the business had recently been renamed) was adorned with a Smiths poster:


The poster is in the right hand corner of the above image. In this scene, Shop Steward Ivy Tisley is busy with a clipboard while Shirley Armitage and Vera Duckworth are gossiping about Mike Baldwin’s arrest for drink driving. The episode was originally broadcast in April 1988, six months or so after The Smiths spilt up. The poster can be seen in closer detail below:


This poster advertised the band's eponymously titled debut album and featured the image from the front cover of the record, which is of American actor Joe Dallesandro in a still from Andy Warhol's 1968 film 'Flesh'.

The first Smiths album was released in 1984. Does this mean the poster was on the factory wall for at least four years? I have no idea but the fact that this prop was incorporated into the Corrie set at all fills me with joy.

I bet Morrissey got a kick out of it too - his favourite TV programme, which he used to send scripts to as a boy, now paying homage to his band.

I wonder who The Smiths fan in the factory was - possibly Shirley. I can’t imagine Ivy, Vera or Ida Clough being into them.

This album happens to be my favourite in The Smiths’ back catalogue. It is essentially Morrissey’s teenage diary set to Johnny Marr’s wonderful guitar playing. One of the standout tracks is ‘Miserable Lie’, which is also a fave of Mary Taylor’s:


Whalley Range must be a more desirable area of Manchester now than when Morrissey were a lad!

By Martin Leay, on Twitter @mpleay




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Monday, 26 February 2018

Exploring Weatherfield: The real Coronation Street

Salford Lads Club, as it was yesterday.
It's been over a month now since I shared my experience of living in Salfor...ahem, Weatherfield with you all. I received a number of marvellous comments on social media, and for that I'm extremely thankful - especially to those who wished me well with coursework and my new home. If you missed my blog post you can catch up here.

I briefly mention in the post about the set being adjacent to my university and that there's a plethora of real world locations from the Corrie universe surrounding me. I've now decided to go exploring around town to see if there's any gems I can share with you all. I have no clue how many of these posts I'll actually do, or when I'll post them, but do expect another.

...captured on a Polaroid too.
Yesterday I set out on a brisk twenty minute walk to somewhere I have wanted to visit for an awfully long time. As any fan of classic 80s band The Smiths will know, Salford Lads Club featured on the inside cover of their 1986 LP The Queen is Dead, and is a must visit location if you just so happen to be in the area. It just so happens to be on a real life Coronation Street too.

The Smiths outside of the club in 1985.
Apart from being an absolute tourist with my friend outside of the iconic building (I'll spare you the pain of looking at those particular Polaroid photos), the little Corrie fan inside of me new that The Queen is Dead wasn't the only album cover to feature the real Coronation Street in Salford.


Back in 1973, Barbara Knox (or Mullaney as she was known then) decided to cash in on her newfound fame as Corrie's redheaded Rita, and release an album of her own. On The Street Where I Live was shunned by Granada execs and Barbara wasn't allowed to promote the record otherwise she would have been written out of her contract. Due to the lack of promotion very few copies were sold, but you can listen to the first track on the album above thanks to a YouTube uploader. Granada also prevented her taking photographs on the Grape Street set for use on the LP cover, so label Phillips turned to Salford's own Coronation Street.


...and here's a comparison between 1973 and yesterday. As you can see the terraced houses in the foreground are long gone and have been replaced by much more modern builds. That lamppost has also been lost in the swamps of time.

For a bit of fun, here's the album cover with the 2018 image
Who knows where I'll end up next? You can find out first over on my Twitter @MichaelAdamsUk.



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Saturday, 25 March 2017

Morrissey's back pocket


I enjoyed Mary's Morrissey reference in last night's Corrie when describing some wilted gladdies in Preston's Petals.

Flowers were part of The Smiths' visual aesthetic and the shrubbery most commonly associated with the group was the gladiolus or 'sword lily'. Morrissey has said that this particular type of flower "leapt out" at him and "seemed really powerful". 


Morrissey favoured the larger variety, which he would often wield above his head on stage. However, tired of carrying them around with him during gigs, by 1984 Moz had moved his gladdies to his back jean pocket in order to free his hands. 


This explains Mary's brilliant quip to Tracy: "Have you seen these gladdies? I mean talk about wilted. They'd be fresher if they'd been sitting in Morrissey's back pocket these past 30 years!"


A superb touch by Corrie writer Mark Wadlow! For more on the two-way relationship between Coronation Street and Morrissey, be sure to check out my blog from a few years ago, still available here. Oh Manchester, so much to answer for...


By Martin Leay
You can follow Martin on Twitter @mpleay






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