Novels by Coronation Street Blog's Glenda Young

Showing posts with label pat phelan. Show all posts
Showing posts with label pat phelan. Show all posts

Saturday, 28 August 2021

Coronation Street Episode Review Friday 27 August 2021


Good evening.  Jenny Bradley sorry Connor reminds us all that she is still married and despite Daisy's interfering ways has knocked back Ronnie who decides that there is plenty more fish in the sea.  Alongside a load of pollock he gets Debbie to join him a couple of bottles of Malbec after Jenny has made it clear they are just friends (and Ronnie even turns down a full English).  Johnny rocks up and whilst both he and Jenny say they love each other he tells her that she must move on and be happy as their time together is over.  Jenny puts on her best face and goes into the bar to woo Ronnie - to find him and Debbie sharing that Malbec.  A little later Johnny comes in and threatens Ronnie with a battering if he chases Jenny - and then admits he is joking and that he wants his wife to be happy and insist he will be keeping an eye on Ronnie to make sure he treats her right.  So will Ronnie and Jenny get together?  Above Jenny is watching Ronnie depart - he has just hinted that perhaps Johnny still loves her and Jenny points out that he is "seeing" Debbie!


The deepest, darkest cess pit of the Shuttleworth empire contains not only the individual known as Todd Grimshaw but also the mortal remains of one Pat Phelan, late of this parish and step-father to said Todd who uncovers the above receptacle.  Reportedly Nicola did not respond to George's letter about disposal and George has not yet found the right time to raise the subject with Eileen.  Anyone thought to ask Gary about Zack and his mother?  No thought not.  Anyway Todd has the screaming ab dabs and pretends (as Eileen is present) that he is scared of a very very large spider.  Todd is not having a good day as it started with a telling off from Bernie in the Street.  George prevents Pat being flushed away - but Todd wants there to be no remains!


I don't think that I have ever really liked Grace and now the single mother with a criminal record adds blackmail to the charge sheet.  Once again she heading to Hull as she has been dumped by Michael but Ed and Aggie have made it clear that they do not want to lose touch with grand daughter Glory.  Apparently unbeknownst to us Ed has been doing up another house a couple of streets away and the family currently have two mortgages.  Once the done-up house was sold the profits would enable the Bailey family to dig themselves out of the money pit they had dug before they joined the Street.  Grace decides that if she has the house then she can stick around the area and Michael can co-parent.  Without telling Michael, Ed and Aggie agree that Grace can occupy the house rent free so she does not go to Hull.  Meanwhile Ed is tendering for numerous jobs - but not having much luck so Aggie is going to have to do double shifts to keep the family from going under.  


The main story concerns the impending court case over the killing of Seb Franklin and Imran is feeling under extreme pressure because ex-wife Sabeen is defending Corey Brent whilst he is defending Kelly Neelan.  Laura Neelan turns up - having just been convicted of child neglect - to demand that she takes the stand to tell the court that Kelly is a good girl, but Imran points out that is the sort of help he can do without.  Imran also has to tell Toyah that he has volunteered her to sit with Kelly during the case in the well of the court.  Toyah is very worried because the rest of the Street are supporting Abi and she feels the neighbours will be rather unfriendly if she does it.  But she accedes to the request.  Much of the episode is then taken up with setting up the hearing for next week (above).  

First Imran argues for a delay to the hearing because of the leak of Corey's name by Jack Webster - but it is agreed that no-one much saw it before it was taken down and the judge rules against Imran on that point.  So the trial is on.  Imran does get agreement that the accused be allowed to sit in the well of the court rather than in the dock, so a minor win on that point.  He then seeks to have the case winning (as he sees it) "blood splatter" evidence to be permitted.  Sabeen has her own expert on the case and apparently the police both failed to photograph the trainers before putting them into store - so the original state of the trainers cannot be ascertained) and also stored them in a plastic bag rather than a paper bag - so they have "sweated" and therefore the current splatter pattern may well not be the original splatter pattern - Imran loses the legal point and is denied the opportunity to appeal.


There are a couple of sub-plots running alongside the main activity.  Simon having heard Leanne and R'Toyota discussing the case pops into the prison to see Kelly who tells him that she cannot see herself doing time.  She knows she was partly responsible for starting events - but repeats that she was not involved in Seb's death (and at the time we saw her holding back from running in when the beating started) and she cannot face being in prison for a long time.  Simon goes to the cafe to apply pressure on Nina to try and remember more of the events - but she is clear that it is far too distressing and she does not want to do so. Roy arrives and sends Simon on his way.  Sabeen later overhears that Simon has been interfering with a witness and no doubt will make much of that at the trial next week.

The other sub-plot is Abi trying to find ways of occupying her brain to stop thinking of events past and future.


Sabeen is playing mind games with Imran, tracking him down at the Bistro (odd place to work) ordering two Harvey Wallbangers and theoretically wanting to discuss the offer by the prosecution and the CPS of reduced sentences if the accused plead guilty - 8 years for Kelly.  Toyah is present as the drinks are delivered (spot the speaking extra above - new staff in the Bistro)! 


And once home Imran tells Toyah not to worry about Sabeen - he did not touch the drink - but Toyah is concerned about Kelly and the offer.  Imran says that in the absence of the blood splatter evidence he does not really have a defence case and that Kelly's best option might be to plead guilty. He looks resigned to losing the case.  Which is tonight's action on the Street!

I am hoping that Jenny and Johnny can actually get back together; I do not like the way that Ronnie treated his wife when she visited and as I understand it he is married as is Jenny.  In fact I would like the wife to return and we hear the true story!  Grace and Michael - please both go to Hull - you know it makes sense.  Nina - I think you can remember (you're a Womble for those old enough).  And there are certain stories in Corrie that are too good to forget - come back Pat Phelan all is forgiven.

Next week Ms Kelstar will guide you through the no doubt complex legal discussions as the case unravels.


Written by David Isaac and directed by Kevin Boyle

Kosmo
@Kosmo100







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Wednesday, 27 February 2019

Carla Connor and the curse of Pat Phelan


Pat Phelan was one of Coronation Street's greatest villains and while he might be dead and buried, his legacy looks set to live on.

This week in Coronation Street, Gary told Carla that the roof at Underworld needs redoing completely because Phelan had done a bodge job on the work he carried out initially. If Phelan had done his job right, there'd be no need for Gary to rip the roof off and start again. This is work that Carla can ill afford and so it looks as if she'll be carrying on Phelan's tradition of cutting corners herself and go for a roof-repair-lite rather than fork out for the full thing.

I'm pleased Phelan is the one to take the blame for the roof collapse at Underworld, which will unfold on our screens in the coming weeks. There are tabloid rumours that someone will die in the collapse too and Phelan's part in it all makes me wonder if it'll be someone that Phelan was involved with - young Seb perhaps? Or maybe Anna returns and the roof kills her? I'm just guessing out loud here. But it'd be interesting to know if you can spot any links too. The clues, as they say, are all starting to pile up now.

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Friday, 12 October 2018

Pics: Pat Phelan as you've never seen him before


Here's Coronation Street's Pat Phelan (actor Connor McIntyre) dressed up for his starring role in Cinderella this Christmas. Connor is starring in the panto alongside Les Dennis (Michael Rodwell) and singer Gareth Gates.

And here's a publicity picture from the panto below...


Our blog team is going to see the panto (oh yes we are, etc) in December and are looking forward to it a great deal.  It should be fun!

Pics: Manchester Evening News

You can find out more about the pantomime and about other seasonal Corrie treats at our blog post here.

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Saturday, 21 July 2018

Pat Phelan rises from the dead to support Blazing Saddles


Connor McIntyre, who played the wonderful Pat Phelan in Coronation Street, is supporting Blazing Saddles 4, a group of Oldham Firefighters who are on their biggest cycle challenge yet - from Gibraltar Street to Gibraltar!

Here's Connor's motivational video for the cyclists, he's standing outside the Glasgow School of Art which was tragically destroyed in a fire.


You can follow the cyclists at http://blazingsaddles.org and they are on twitter at https://twitter.com/the100yearride and you can sponsor them here.


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Saturday, 2 June 2018

On the Life of Pat Phelan


I’ve had over a week in which to silently and thoughtfully digest and grieve the loss of the character that was Pat Phelan. I’m glad, because it has given me the time in which to write everything I wanted and needed to say about the character and the man who played him. 

Grieve a psychopathic, serial killing, narcissist, you say? Yes, absolutely. And isn’t that intriguing in itself? Such is the measure of this iconic character, the like of which I don’t believe we’ll see on Coronation Street again.

I started writing for this blog in October 2013, the same month and year that a dodgy developer with a large house and a bigger ego had his motorbike stolen by Owen Armstrong and Gary Windass in lieu of a debt which was settled in exchange for its safe return.

As I found my feet and came to experience the joy of writing about my favourite programme, my words were stitched by a needle through which Pat Phelan’s progression was threaded. From that October to April 2014, we watched as he manipulated the Windass family on to the breadline with relish, we reeled at his indecent proposal to Anna, and recoiled in horror at seeing his plan to rape her come to fruition. She did what she did to clear a crippling debt, save her son, and free those she loved from his interminable grip. He did what he did because he was predatorial, odious and depraved.

Yet, there was something about Pat Phelan that had me wanting to see more when he departed that spring. This was down to Connor McIntyre who, in the space of six months, had brought something compelling to this role. His capacity and talent as an actor was clear, and a major draw, but in bringing this to bear on the part, he had added something more; he had made it his own, and it was impossible to imagine anyone else in it.

It would be January 2016 before we would see him again, this time divorced, bankrupt and working as a builder on Kevin Webster’s garage. And while we knew we were in for quality performances, I don’t believe anyone could have predicted the magnitude of what would develop over the next two and a half years.

He was no sooner back than he was throwing a bag of chips out of harm’s way, and himself in front of a runaway car containing Carla Connor. Did this near instant act of heroism herald a new Phelan? No. But it did have us wondering from the off if this villain had an honourable side, a conscience even. Of course, he picked up where he left off, conning, scheming and manipulating those around him at every turn to engineer the life he wanted for himself. While capable of psychologically outdoing those who may have suspected enough to threaten his cover, thus ensuring his own survival, he also proved to be witty and clever, and fell in love with Eileen. And so, the crafting and shaping of a wonderfully complex character with an inherent duality had begun.

It wasn’t until he watched Michael Rodwell die that we realised who we were actually dealing with. It was notable, however, that Pat didn’t kill him, and how much his conscience relied on this bending of the reality of Michael’s death to justify to himself that he wasn’t a murderer. 

It would be Andy Carver who would prove the ultimate test in that regard. Kidnapped and held hostage by Pat for months on end, Phelan’s inability to kill him was the sole reason he was kept alive. We saw Pat go to confession, a key moment in the religious, often biblical, dimension to Phelan’s character and mindset which became apparent as we got to know him better in his second incarnation on the street. He even faked illness to obtain medicine from the doctor for Andy when he was unwell. These indications of a conscience, of inner turmoil, of a moral compass, offered intriguing insights into the man who was not necessarily evil, but certainly capable of it, and struggled to reconcile himself with this side of his own personality.

A crucial development between Andy’s disappearance and viewers finding he was alive, was the introduction of Pat’s daughter, Nicola. His blossoming relationship with her gave us a glimpse of the man he might have been, wanted to be, or could at least still have the capacity to become. And he believed it. But, what we soon learned was that deceiving Phelan, and threatening to expose the actions which were a product of his dual nature, ignited a revenge that did not respect his own moral boundaries, and the lives of three men who did so came to be lost by his hand; Andy, Vinny and Luke.

Nicola turning against him on discovering that he had raped her mother proved a key moment in tipping the balance of his personality even further towards darkness, as what he had gained, then lost – a daughter, and an unborn grandchild – left him with less to lose than he had before. Now a murderer, we realised that this was a man capable of exacting the worst deeds capable of being committed by human hands.

We weren’t the only ones. Jailed Anna, Seb, Tim, Gary and Nicola were all convinced of his guilt. Even Eileen had begun to doubt her husband as the net of suspicion closed around him. His hatred of deception reared its head again as he rejected his own daughter by her hospital bed for tricking him and harbouring Seb. His tears were real, but so was his determination to disown her.

His world further imploded when Andy’s and Vinny’s bodies were uncovered at the building site. Anticipating the discovery, Pat had dragged Eileen off to a cottage in Whitehaven on the premise of a holiday which turned into a raging battle between the pair as she learned the truth from Tim, Phelan found out, and they engaged in a dramatic showdown on the pier. In a gripping scene worthy of everything he had become, he declared, "I am the darkness and the light, Eileen. That's me. I'm a creator. I'm a destroyer. I'm the accuser and the prosecutor. I am the lord of hope and the layer in wait." The horrific culmination of his transformation delivered to powerful effect in one tremendous speech, Pat would fall and Eileen would ensure his death. Or so she thought. 

He would be found alive and taken hostage by Gary Windass, only to break free, intent on seeing his grandson. His daughter shot in the melee, his desire to keep her alive for the sake of her son would see him enter the Bistro where he would meet his end at the hand of Anna Windass; the only fitting conclusion considering how all of this began. Or, might we add, at his own hand too – Pat’s downfall at every turn has been his enraged and spiteful reaction to deceit and betrayal, and in his very last moments, he decides he would rather remove the knife buried in his chest and die if it means Anna going down for murder, than leave it in place on doctor Ali's orders with a chance of living. His flaw, which to others had proven fatal, would now cause his own destruction.

As I saw the life drain from Phelan’s eyes in Connor McIntyre’s exceptional closing performance, I was witnessing the death of many things.

For me, this was as defining and iconic a character as you could possibly hope to see on any stage or in any work of literature, gothic, or otherwise, who electrified this programme for the best part of three years.

Connor’s interpretation and performance of the character was a rich and endless source of enjoyment,
and a reason for tuning in each night. He was also gifted with some of the best writing and direction we’ve seen on the street in recent years; great work inspires great work. Something has to run counter as Corrie residents fret about the comparatively humdrum, and Phelan, wearing the affable mask of normality for as long as he could maintain it, was a glinting sliver of malice which coursed through their world. For some, it was too much. For me, it was exhilarating.

Coronation Street simply won’t be the same without him.

Another very special element of our experience of having Pat Phelan in our lives is Connor McIntyre. He was utterly exceptional in the role and, let’s face it, the very reason the character had such longevity, and will go down in the annals as a true Corrie great. But, beyond even this, his generosity of spirit, and the manner in which he embraced being the man who played the part, both online and off, has been a constant source of joy for myself and, I know, the many, many fans he has gained and whose lives he has enriched along the way. His outlook and attitude are inspirational, and while we’ve come to the end of the line with Phelan, it will be a pleasure to remain on the road with Connor to see where his journey takes him next.

I had the absolute pleasure of meeting him in Manchester in May to talk about his exit from the show. His description on that day of how he sees the conclusion of his relationship with this role seems a fitting end to this piece as we too reach the end of our time with Phelan. And so, as the darkness and the light, creator and destroyer, accuser and prosecutor, the lord of hope and the layer in wait falls silent, I leave the final words to the man who made him everything he was.

“I think leaving any part that you’ve been really invested in is a period of recalibration. You’re used to going every day and generating that level of adrenaline, if you will. So, it’s a few weeks after that that you just have to get used to that, and you put it down as concluded. If I can make the analogy, because I do a bit of painting, when a painting goes out the door and a customer buys it, there’s a time that you go ‘that was nice and I’m glad now that it’s in somebody else’s hands.’”

As we ourselves prepare to recalibrate after the departure of this iconic character, I'd like to thank you, Connor, for placing your creation in our hands, so that we can always look upon it as a remarkable piece of work that enriched our lives, and the living tapestry that is Coronation Street.

By Emma Hynes
Twitter: @ELHynes
Facebook: @EmmaHynesWrites
Instagram: emmalouhynes




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