Novels by Coronation Street Blog's Glenda Young

Showing posts with label tina mcintyre. Show all posts
Showing posts with label tina mcintyre. Show all posts

Wednesday, 15 August 2018

Ghost of Tina McIntyre returns to haunt Peter


There's a story in this week's fab Inside Soap magazine that says Peter is going to be haunted by the ghost of Tina McIntyre.

And while that's a hook to hang a soap story on, it's not all that it seems.

It turns out that Carla is going to test Peter after she realises he's falling for her again. 

"When interviewing for a new machinist at the factory, Carla is struck by the resemblance that one of the applicants bears to Tina," reveals Chris Gascoyne, who plays Peter. "She decides to let Peter interview this woman and see how he handles it. But will he pass the test? You'll have to wait and see!".

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Monday, 30 April 2018

Peter Barlow's Ways With The Weatherfield Women

A character I've really come to love over the last year is none other than Peter Barlow. With quite a colourful history on the cobbles, Peter has somewhat gained the reputation of a... dare I say it? Weatherfield womaniser? Not anymore perhaps but that man has had more affairs than I've had plates of hotpot, so I thought it would be fun to go back in time and try and work out why Mr Barlow was such a hit with the ladies of Weatherfield...


Let's begin with Lucy Richards (keep your hat on, I know she isn't Peter's first wife). After having returned from the Navy, Peter was back on the cobbles and very quickly became a notorious philanderer. Peter began a relationship with Rover's barmaid Shelley Unwin, but failed to remain loyal when Lucy also managed to seduce Peter. The web of lies in this relationship gives me a bit of a headache. Okay so, Peter ended his affair with Lucy, and became engaged to Shelley. However, upon finding out that Lucy was pregnant, Peter somehow managed to marry her.

Despite having a whole wedding, Shelley didn't have a clue, and also married Peter. Not only is this bigamy, but it's not really a nice thing to do, is it? Mind you, back then Peter hardly had a reputation for being nice, did he? Anywho, it didn't take long for Shelley to find out about Peter's other wife before both women binned him off.

You'd think all of these marital woes would put Peter off marriage, or at the very least teach him a lesson. Of course not. Leanne Battersby was next to fall foul of Peter's infidelity, although she was having an affair with Nick Tilsley, but that's another blog post for another time.


Much like Sarah and Gary are now, Peter and Leanne were forever splitting up and getting back together. Despite the numerous lies, the pair finally got engaged and with Peter sure he was going to die as a result from the tram crash, he and Leanne got married in the hospital. How romantic. Or it would be, if Peter's wandering eye would give it a rest. Alas, Peter found Miss Carla Connor. This relationship was incredibly explosive from start to finish and their passionate affair resulted in the end of his marriage to Leanne.

Sure of his new love for the factory boss, is this finally where Peter settles down? No, don't be so foolish, we tell ourselves. Along comes another barmaid, this time in the form of young Tina McIntyre. This affair would ultimately result in the death of Tina, which I'm still bitter about. I was a big fan of Tina, and she could do so much better than Peter. Of course, so can Carla, but they seem so right together, especially now seeing as he seems to be a changed man.


That leads us on to Peter's current lady in his life, Toyah Battersby. Albeit it's a tad strange that Simon's mum (Leanne) is Toyah's sister, but such as life. Landlord and landlady of the Rover's, Toyah and Peter seem destined for a life together. But with this whole baby secret, it doesn't seem that they'll be living in bliss for long. I have nothing against Toyah, but you know Peter, Carla's single. Sort of. Is she with Ali or not? Anyway, I digress. I would be very interested in a Carla and Peter reunion.

And there we have it. I'm sure many of you need a strong cup of tea after that, I know I do. It remains a mystery to me how Peter has managed to walk so many women up the aisle with his track record with romance so public among the streets of Weatherfield, but it depends on how gullible they are to his charm I guess. If it all ends in tears with Toyah, I wonder who will be next?

Sophie Williams

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Friday, 3 February 2017

Peter Barlow and his women




Peter Barlow is an attractive man. I'm not sure if he's tall, but he is dark and he is handsome. He also has a twinkle in his eye. He's middle-aged now, 51 to be exact, 52 in April, but the accumulated years have not dampened his enthusiasm for the ladies, nor the ladies for him. In fact, if anything, as Peter has matured, he has become more attractive.



He is (or maybe is not after Wednesday's episode) currently with Toyah. He has even claimed that she is the love of his life, though I cannot help but think, rather cynically, that he says that to all the girls. He probably said it to Leanne, when they were together, until he found himself saying it to Carla, for whom he left Leanne. He might also have said it to Tina Mcintyre, who was half his age, when he was still with Carla. Lucy the florist no doubt was informed that she was the love of Peter's life, as almost certainly, Shelley Unwin was too.

So why do these attractive, capable, independent-minded women, and others fall for the son of Ken? He has no wealth, he's unlikely to make any significant money, he doesn't drive a flash car, though he does drive one of Steve's Streetcar fleet, and he is not exactly a snappy dresser. He was also an alcoholic, still is, as I have learned that alcoholics are always alcoholics whether they are drinking or not. At least for now, he manages to stay away from the demon. No judgement here.



 But what he does have overrides what he does not have: he has charm, charisma and sex-appeal -  attributes which cannot be bought. Naturally Peter is aware of his ability to draw women to him and there was an example of this on Wednesday, when an attractive woman needed a lift to a hotel. Tim asks Peter to take on the fare and he does. The woman is clearly attracted to Peter and on arrival at the hotel, asked him in for a coffee. This time, despite the green signal flashing and the words, 'Take a risk, stay awhile,' Peter walked away. I can't help thinking that she will reappear at some point...




Peter is angry with Toyah as she lied about her feelings concerning babies. He has told Toyah that his baby days are over. It was Toby who revealed to Peter that Toyah was desperate for a baby. Does this mean that the relationship between Peter and Toyah must end? Or can they find a way through this? It must be said that Peter is a long way from Dad of the Year. Luckily Leanne has been a good mother to Simon.



And what about Ken? Is Peter a chip off the old block? Ken has had his fair share of flings, affairs and dalliances. Ken did have a stable home life with mum, dad and brother, though he tragically lost his first wife, Valerie, who was electrocuted by her hairdryer. Ken struggled to cope with the twins and when Peter and Susan were six years old, he despatched them to Glasgow, to be brought up by their maternal grandparents. Maybe, the early loss of his mother created a need in Peter to have plenty of relationships with women, a psychiatrist may even pronounce that Peter has not given up searching for a mother replacement. Just a thought.

Ruth Owen, @ruth1722

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Friday, 1 April 2016

Michelle Keegan reveals shock at Tina being killed off

Michelle Keegan, who played Tina McIntyre on Coronation Street, has revealed that she was more than a litle surprised when she was told her character was being killed off. But, she says, she understands now why Tina had to die.

I'm guessing that because of the interview in this New Zealand magazine, that they are so far behind the UK in terms of storylines that they're only just now seeing Tina being killed off. Can any New Zealand viewers confirm, please?

Michelle tells New Zealand's TV guide: "I was shocked. Initially we thought the door would be left open for her, which I think is every actor's ideal scenario. A few months later (after Keegan told her bosses she wanted to leave the Street), the producers come up with this amazing exit storyline for Tina – that she was going to be killed.

"My heart stopped when I found out. I do understand why she's being killed. It's an amazing storyline and it will affect so many characters on the Street for the next year."

Speaking about leaving Coronation Street, Michelle says:  "I talked it over quite a lot with Kate Kelly (who played Becky McDonald), both before and after she left the show. She always said 'When the time is right you'll know'. That's what happened with me. The time felt right."

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Friday, 28 November 2014

Peter’s Pompey Paradise


People of Portsmouth – lock up your daughters, sisters, wives and mothers; beers, wines and spirits – because Peter Barlow is in town.

Actually, it’s probably too late, such is the havoc the renowned imbiber of women and alcohol is likely to have already wreaked on the South Coast.

What is it about The Waterfront City that always lures Peter back? As Carla astutely observes, “he always goes down there… he licks his wounds and then he comes back with his tail between his legs”. A fine analogy for the dirty dog that he is.

A quick glance at Peter’s Weatherfield-Portsmouth migration patterns on Corriepedia throws up the following timeline:

• 2003 – with his life in ruins after being busted for bigamy, Peter moved to Portsmouth and set up a business there.

• 2007 – Peter returned to Coronation Street worried about Tracy's relationship with Charlie Stubbs. When Tracy went down for Charlie’s murder, Peter returned to his life in Portsmouth.

• 2009 – Peter entered rehab in Portsmouth and whilst battling the booze was unable to kick his other habit – he had a fling, cheating on Leanne (not for the last time, obviously).

• 2014 (May) – before her death, Peter gave Tina his credit card and told her to buy train tickets so that they could run away together and start a new life in… Portsmouth. It’s not surprising that Peter Barlow is irresistible to women with those kind of promises!

• 2014 (November) – to avoid the judgement of Weatherfield residents and constant reminders of the past, Peter abandons his son (again) to seek solace in Portsmouth (again).


Now, I’ve been to Portsmouth – many times. It has heritage and a lot more besides but it has never had the spiritually healing effect on me that it seemingly does on Peter Barlow. That said, last time I was in Southsea, the Honest Politician were offering selected pints and jägerbombs for £2.50 – a price that must compare favourably even to The Rovers. To use Pompey parlance, you’d have to be a right dinlow to miss out on a deal like THAT.

Portsmouth has a pub on every corner, a fact that could seriously scupper Peter’s desire to “sort (his) head out”. After a menacing medley of pints and jägerbombs, I boarded a bus decked out in amazing facts from Britain’s naval history. I remember thinking it’s no wonder that Peter Barlow is so enamoured with the home of the Royal Navy, with whom he served for 20 years.

And you know what they say about sailors having a girl in every port? Well, maybe Peter has an old squeeze down there – perhaps the same woman he bunked up with after that stint in rehab. Ah – women, wine and song – the perennial pursuits of Peter Barlow. Will he ever really change?

I know it’s been a fortnight now since Peter’s departure but it’s taken me that long to reflect on the exit of my favourite ever Corrie character. It feels good to break my silence.

I’ve always been drawn to the duality within Peter Barlow – the Jekyll and Hyde conflict between the good friend, father and husband he is capable of being; and the selfish and destructive alcoholic womaniser he seems powerless to resist turning into.

At his best, Peter is a man that other men aspire to be like (charming, cool, charismatic) but at his worst he is someone we all fear becoming (reckless, ratty, reprehensible). He is a brilliantly complex character played with great skill and sincerity over many years by Chris Gascoyne. And as I always say when defending Peter Barlow – it’s all Ken’s fault.


Peter will be missed but as noted on Emma’s excellent exit blog (link here), it feels the time is right, somehow, for the character to be rested and I doubt he has ‘gone to Portsmouth’ for the last time. He will return rejuvenated at some point, I’m sure.

But what of his exit? Blog readers may have picked up on the scathing write-up in The Metro (read it here) which described Peter’s departure as “a dull cop out” arguing that even Peter wouldn’t walk out on Simon, especially not since the thought of being reunited with his son is exactly what kept him going while inside. It makes the point that a character as fascinating as Peter deserved more fanfare. What do you think? Was Peter’s departure a damp squib?

Perhaps it was – a bit – but moving to Portsmouth in times of trouble is hardly out of character. And we all know that Peter’s character, while fascinating, is also deeply flawed.

Flawed though he may be (and who isn’t?) I still think Portsmouth’s Visitor Information Service should update their marketing strategy. I’m no PR guru but I’ve got an idea for their next tourism drive…


By Martin Leay
Twitter: @mpleay


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Tuesday, 21 October 2014

Coronation Street Blog interview with Marc Baylis – Rob Donovan


Roll up! Roll up! Read all about it – “Boozy Bookie Bludgeoned Barmaid”. That’s how I imagine the front-page headline of today’s Weatherfield Gazette will read now that Rob has literally got away with murder.

On the morning after being named “Best Bad Boy” at the Inside Soap Awards – and just a few days after filming his final scenes as Rob Donovan – I caught up with Marc Baylis at ITV HQ in London. Marc was in fine form as he looked forward to an exciting crescendo for the character of Rob.

Marc Baylis with our blogger Martin

Before the trial, Rob was “pretty sure he’d got away with it”, says Marc. He felt more confident “with some of the evidence given against Peter”. Even so, when the verdict was announced at Weatherfield Crown Court last night, Rob looked almost as shocked as Peter.

Going through the details of Tina’s death in court threw Rob “off kilter” and the resurfacing guilt resulted in him letting “a couple of hints” out of the bag. Rob’s failure to share Carla’s doubts about Peter’s guilt and his insistence to Simon that Peter did not kill Tina have set alarm bells ringing - especially now that Carla knows about Rob’s little pep talk with Simon.


Erratic behaviour such as this will ultimately be Donovan’s downfall. Carla is convinced that Peter is innocent and next week Rob will confess to his sister - “They’ve been through so much together that he doesn’t have to say it, she just knows”. Essentially, Rob “just can’t lie to her anymore”, Marc says. What we do not know is what Carla will do with this information and whether or not she will stand by him and let Peter rot in jail.

Rob hopes that Carla’s family loyalty will outweigh any feelings she once had for Peter and Marc notes that Rob “has brainwashed himself throughout the whole event and he’s trying to brainwash her as well”.

Tracy’s hen do, Rob’s stag do and the wedding will all take place next week. It won’t be a wild one for Rob, who Marc explains is “trying to be angelic”.  Instead of going out with the lads, he will have a few drinks with his ‘best woman’ Carla and Michelle because Rob “wants the whole wedding day to be absolutely magical”. Perhaps his secret will be exposed at this point, which would leave Carla contemplating an interesting dilemma on the day of the wedding.

It is somewhat curious that despite Rob’s murderous ways, there is still a likeability factor about him. When Rob was revealed to be Tina’s murderer, Marc says the reaction from fans was “the polar opposite” of what he expected – “for some reason it has made people like Rob more.”

Rob Donovan is not the archetypal soap villain. One of the most interesting aspects of his character is that he does feel guilty for what he has done. Rob tried to stay away from court in order to “carry on his denial” but was hoodwinked into attending the trial in a show of loyalty towards the Barlow family. This led to “all the guilt layering up within Rob again” and explains his recent slip-ups.

Rob has redeeming qualities in his obvious love for both his sister and his fiancée. Marc regards this loyalty as key to Rob and feels “that’s why the storyline is working”. “We’ve tried to be as delicate as we possibly can. I’ve stated a lot to people that we don’t need too many shots of Rob being dastardly in the background… and not too many guilty looks.” “I kind of wanted to keep it away from being too much of a soap villain”, he continues, and instead show “as much of a real person as possible going through that situation”.


I was intrigued to know at what point Marc discovered that Rob was to be Tina’s murderer. Marc recalls there was a month after “Michelle (Keegan) found out that Tina was going to be killed off until I found out that Rob was the murderer”. He laughs that everyone was walking around work going ‘I hope it’s not me’. “It was a dramatic month”, he says – “more dramatic than the actual material on air!”

As soon as the murder storyline came up, Marc “knew that there was a timeline” which he believes has been “timed to perfection”.  He has had “a brilliant two and a half years” and although he would have liked to have stayed on for longer, he is “very happy to be going” because of the strength of the material that leads to Rob’s exit. 

Marc feels “really lucky to have had this storyline”. He is clearly philosophical about the end of his time at Coronation Street and immensely proud of what he has achieved. He describes the scripts he has been given during Rob’s exit storyline as “by far the best material that I’ve had since being on the show”.

He is quick to praise Michelle Keegan for her portrayal of Tina and express his pride at being involved in the departure of such a massive character. He considers this a “compliment”, noting that as an actor “you want to be there with good material”.


Next week Rob and Tracy are due to have their fairytale wedding. Marc talks about “the romantic picturesque life that is being drawn up” for Rob and Tracy but can’t reveal whether or not they will actually tie the knot. Being soap land, “it doesn’t necessarily go to plan”. Peter Barlow can definitely be struck off the guest list, though – that we do know.

Rob really does want to marry Tracy – “as far as they are both concerned they are meant to be together”, says Marc, “so it’s exterior events that take over”.

The wedding venue is “the most beautiful location that you will ever see and it’s them always punching above their weight”. What I really want to know though is whether the harpist has been booked and whether “Firestarter” will be performed!


The wedding was filmed at Capesthorne Hall in Cheshire, which is where Simon Gregson’s wedding reception was held in real life. “It’s just absolutely stunning,” says Marc and he enthusiastically describes the huge lakes and lawns and the horse and carriage that have already been revealed in the publicity shots.

Marc says that he and Kate Ford “have had an absolute blast playing each other’s partners” and if it wasn’t for Rob’s actions, he believes Rob and Tracy could have gone on to live “not necessarily happily ever after, but as happily ever after as Rob and Tracy could be”. It would be a tempestuous Burton-Taylor type of relationship but it would never be boring.


The outfits at the wedding will be traditional. Kate’s dress is white and “absolutely stunning” while Rob has “gone for the long tails”. It is difficult to see how there can be a happy ending but whatever happens in the next couple of weeks, Marc likes to think that Tracy loves Rob so much that she would wait for him.

Marc feels that Rob getting together with Tracy marked a turning point that saw Rob “really become accepted on The Street”. He is very honest in saying that before Rob and Tracy were put together, “it felt like we didn’t quite know what to do with Rob”. However, “as soon as they got together, it just worked”. I agree that Rob and Tracy are extremely well matched and I’ve enjoyed the dynamic between them. It is shame to break that up. Tracy has actually become almost likeable as a result. Almost.

Stuart Blackburn has stated that he would like Rob to return at some point.  According to Marc “the future is a blank canvas” and he is definitely not against coming back “if it’s right for everyone”. In the more immediate future, he is appearing in pantomime as The Prince in “Sleeping Beauty” in Bromley. There can’t be many soap murderers who are cast as anything other than the panto villain. This is testament to that likeability factor I was talking about.  


Other than that, he is “happy to go where the wind blows”. “It’s a really weird change”, concedes Marc who compares his newfound freedom to “moving out of home” or the feeling he’s “just finished university”.

Marc has invested in his own camera and microphone and for his leaving present, his Corrie colleagues clubbed together to buy him a lighting rig. As a result, he will now be able to “put tapes together and send those out”.

He would love to do an American drama and was considering going to the States in the New Year for pilot season. However, he will stay in the UK and see what opportunities arise here. He’ll certainly be able to get down to Villa Park more often and is looking forward to watching Coronation Street as a viewer again.


Emotionally, it must have been difficult playing the part of Rob in recent months. Marc says he has “never had to work so hard” but it has “been made easier by the material”. He was worried about burning out but thankfully made it through unscathed.

Rob’s final scenes were shot at nighttime, which makes me think he might do a moonlight flit. Marc recalls that “it wasn’t the easiest of shoots” with the elements against them. But cast and crew were determined to “get the work right, through to the end” so that Rob’s final scenes bring the storyline to a powerful conclusion.

The whole way through, I’ve been considering whether Rob Donovan is an evil murderer or just an ordinary guy who found himself in a difficult situation and made a bad decision. I think the latter but I am curious to know how far Rob would have gone to protect himself. Would he, for example, have sold Carla or Tracy down the river if either of them had been prime suspect for Tina’s murder?

“Absolutely not”, says Marc emphatically. “The whole concept of this storyline and Rob and Carla’s relationship is about the truth and the loyalty and there is a lot to do with family values and morals”. It seems strange to think of a murderer as having morals but Marc believes he would apply the same principles to Tracy.

Rob Donovan arrived in Weatherfield, just over two years ago, an ex-con determined to build bridges with his estranged sister and turn his life around. He found love, remarkably, with Tracy Barlow and when Tina threatened to ruin all of that, he snapped. It is hard to predict how anyone will react if they fear that what they love most is about to be ripped away from them.

Will Rob pay the price for his crime? One way or another, I am sure that he will. And I hope Peter’s conviction will be overturned. Rob has become a very strong character and he will be missed.


It has been reported that Rob’s exit will be screened on Bonfire Night with explosive fireworks guaranteed. I suspect therefore that Corrie fans will remember this fifth of November for some time to come.


By Martin Leay
Twitter: @mpleay


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Monday, 11 August 2014

I don’t watch Coronation Street...

“Well, what on Earth DO you do?”
“I have a life.”
“But it’s brilliant.”
“No, it’s for old ladies and gays.”
“You may have a point.”

And so the conversation continues. It’s a conversation I’ve had too many times to remember. Usually with a person (stranger or friend, but usually a stranger) you wouldn’t normally associate with the ‘Corrie demographic’.

As a lover of all things cobbled I try my best to share my passion (addiction) for Coronation Street with those that haven’t taken the time to sit with a cup of Yorkshire tea (Lancashire hasn’t yet come up with a suitable alternative) and see what Rita, Norris and Roy are getting up to in Weatherfield. But therein perhaps lies the clue to their disinterest. Who cares what a bunch of ageing, working-class residents are getting up to in a made up Northern town? Indeed the most interesting of Corrie’s characters, in my opinion anyway, are the older ones. They are the backbone of the Street.

Corrie surely appeals to more than just the blue-rinse brigade? Yes it does. People of all ages and backgrounds watch. But all too often it seems difficult to get people ‘on board’ with sacrificing their Monday, Wednesday and Friday evenings for the sake of this multi award-winning institution. There are numerous younger and edgier characters the more modern television viewer can relate to. David, the tearaway pusher-of-mums-down-stairs turned responsible young dad. Jason Grimshaw, who is quite (very) nice to look at and is a dab hand at grouting. Nick, the brain-damaged businessman. And until recently, Tina, who was tossed off the builder’s yard balcony and whacked on the back of the head, ending a glittering and very orange Corrie career much too soon.

After many debates about the virtues of Coronation Street, I’ve come to the conclusion that you can’t win ‘em all. Try as I might to persuade my colleagues at work that a) Corrie is must-see telly, and b) that photo on my desk is Hayley Cropper and not my mum, I have to sometimes resign to the fact Corrie isn’t everyone’s cup of (Yorkshire) tea.

But take a look on twitter. It looks promising for a thriving and wide ranging army of Corrie addicts. People young and old, British and otherwise. Times columnists, Tories, students and yes, the odd homosexual. There’s nothing better than seeing people engaged in Britain’s best soap (continuing drama).

Here's my final conclusion. If you don’t watch Corrie, you’re either daft…or we’ll get you eventually. So be careful if you ever come across me in a London pub (which is quite likely). I’m on a recruitment drive. 

Corrie Needs You!

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Tuesday, 24 June 2014

Peter Barlow – a bad dresser?



Looking back at Tina’s dramatic departure, I find myself still pondering a small but shocking detail – the revelation that Peter Barlow is a “bad dresser”. At least that’s what Rob reckons.
 
That fateful night round at Tina’s flat, Rob just couldn’t fathom why countless beautiful women have been so quick to fall at the feet of Pete:
 
“He’s a raging alcoholic… a liar… a bad dresser - I mean he wears waistcoats for crying out loud. He should be at the Crucible playing Ronnie O’Sullivan”.
 
It was a powerful character assassination which proved Rob to be as deadly with words as he soon would be with a piece of lead pipe.
 
 
To be fair, Rob does dress well. It’s just that I’ve always considered Peter to be of equal sartorial sharpness (his wardrobe of waistcoats included). When he’s not on the booze, Peter dresses to impress in immaculate suits, shirts and shoes. He’s got a super smart black pea coat and I’m also a fan of his more casual denim jacket.
 
Not forgetting the classic black shirt, of course. Peter Barlow’s staple garment has started a trend on The Street. In recent weeks, Steve McDonald, David Platt, Gary Windass and, somewhat hypocritically, Rob himself have all worn a button-down black number.

Peter Barlow is many things – former bigamist, perennial philanderer, hopeless alcoholic, absent father, accidental arsonist – but to my mind there is no way he’s a bad dresser. He even managed to put the vodka down a minute and drag himself into his trusty black shirt for Tina’s funeral. I don’t know where that purple tonic suit came from but it was quite something.
 
Maybe it was jealousy that drove Rob to have a go at Peter’s dress sense. After all, Rob shared a kiss with Tina in the smoking shelter of The Rovers but that was as far as she wanted it to go. In another case of pot calling the kettle black, did you notice what Rob wore underneath his suit at the funeral? That’s right – a waistcoat!

Reverting to Rob’s snooker analogy, his grappling at the graveside with Peter has now put him in the frame for Tina’s murder. A cool customer up to now, it will be interesting to see how Rob copes as the pressure builds.
 
Rob is doing a remarkable job of keeping his opponent at bay with a delicate mix of defensive and attacking play. But he can’t keep it up forever. One wrong move by Rob and he’ll leave himself snookered. And he won’t be able to choose what he wears in HMP Weatherfield.

 



By Martin Leay
Twitter: @mpleay

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Monday, 23 June 2014

After The Funeral


Tina's funeral provoked a number of disparate thoughts in me.  I'm going to just catalogue them as they came to me, and I'd appreciate any input on the questions raised.

1)   A pulpit is the natural home for Rita Littlewood/Fairclough/Sullivan/Tanner.
2)   That vicar was a bit fit.
3)   Since when did Toyah live in Liverpool?
4)   And when did Janice get back from Europe with that bin man?
5)   And under what circumstances would Leanne abandon Simon to a funeral all on his own?
6)   Incidentally, is Simon now 14?
7)   I cannot imagine a circumstance in which Tina would eat Marmite.
8)   Steve MacDonald is the ghost of David Platt's future.
9)   Deirdre emotionally bonding with Eccles made me glad Ken is on his way back.
10) Steph is really quite ace.
11) Luke and Katie: not so much.
12) I wish Steph had recorded that video in landscape not portrait.
13) Where did she get the helium from?
14) Tina's mum was very emotional for a woman who hasn't seen her daughter in about six years.
15) Similarly Gail was distraught given that she forgot Tina was her stepdaughter roughly eight minutes after Joe died.
16) Did Tina's mum know she was chatting to the second Mrs McIntyre?


17) Peter Barlow drinking vodka from his jacket pocket: PURE CLASS.
18) The whole "Peter is drunk and Simon is embarrassed" thing is getting a bit old.
19) Kylie's Krazy Glue Komedy Subplot: no.
20) And her sending the letter to Les Dennis is beyond the pale.
21) Why is their printer in the front room anyway?
22) I sincerely hope Mary learning Mandarin is a future storyline.
23) I also hope Mary and Roy spend entire episodes playing chess.
24) Or digging up weeds in the Tina McIntyre Memorial Flowerpot.
25) Michelle Connor is the most self-centred, vile hag on the Street, and I hope that Rob puts her next on his hit list.  Hopefully next week.


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