Novels by Coronation Street Blog's Glenda Young

Showing posts with label richard hawley. Show all posts
Showing posts with label richard hawley. Show all posts

Monday, 25 October 2021

Corrie's Richard Hawley to Star in New Stage Play

The Corrie connections are in abundance for crime writer Hilary Bonner as actor Richard Hawley, who played Johnny Connor on the cobbles until his watery death in the epic sink-hole episodes last week, announced he’s set to join Bonner’s brand new stage play ‘Dead Lies’, which tours the UK next year. 


Richard is a well known face on TV having appeared in crime and daytime dramas such as The Bill and Family Affairs as well as Downton Abbey and some big budget films like Love actually. We saw Johnny struggling in the dark sewers beneath Weatherfield on Friday as the Horrornation Street drama took a devastating turn, when he slipped away in front of his helpless ex Jenny. The actor made the announcement about his new role on Monday's Loose Women.

Dead Lies is Hilary Bonner’s first stage play and follows Peter George, “a politician who promises a new kind of politics beyone sleaze and spin” (which would be nice). Joe Harmston directs the political thriller which is produced by Red Entertainment. The tour starts in the spring of 2022.

Hilary is married to Corrie icon Amanda Barrie (Alma Sedgewick), who herself will be treading the boards this winter in panto as the Fairy Godmother in Cinderella, at the Queen’s Theatre Barnstaple.

You can buy tickets for Dead Lies HERE and for Cinderella HERE.

Enjoy!

@StevieDawson







All original work on Coronation Street Blog is covered by a Creative Commons License

Friday, 22 October 2021

Richard Hawley On Johnny's Shock Exit! - Coronation Street Blog Cast Interview


Johnny Connor is a gonna! As Horror Nation Street concludes tonight, shocked viewers became saddened when ex-Rovers landlord, Underworld boss, and Carla's Dad, Johnn Connor, was swept away to his death, after failing to rescue ex-wife Jenny Bradley in the sinkhole sewer drama. As actor Richard Hawley bows out of the show after six years, Coronation Street Blog had a quick chat with the man himself, about finding out Johnny was to die, fondly remembering his time on the show, and reveals he is swapping the cobbles for the forest! 


When did you first discover that Johnny was going to die in this big week?


Iain (the producer) had known for some time that I was ready to go. I talked to him about it previously, then all the plans and arrangements got stymied because of Covid, and I was happy to be working through that year. I was very fortunate. It could have been then that I stayed, but I live a long way from Coronation Street. I have done over six years, and all the travelling back and forth was getting a bit much for me.


How did you feel about the fact Johnny was going to die?


He explained that the death in the big stunt was going to be Johnny, he outlined the story and I was overjoyed and knocked back by what he was planning. Because for me, it is the completion of a great love story, which is what Sally Ann and I had wanted. You can’t get a truly great love story until it is over until someone dies. 



At the start of the week it looked as though you might leave in a taxi - do you prefer the more tragic ending? 


The one thing that soap doesn’t give you is a beginning, middle and end. By its very nature, it is continuous. Only when you get the end put into place that everything else falls into place. The rest of Johnny’s story now makes sense. There is a strong run of almost seven years of his story. A man trying to redress some of the past, create a future, love, settle down, atone for past mistakes, and change and live well. One of the things that were always important to me was that I wanted to explore the love and humanity of the character. I have been able to do that and particularly with this ending. It completes a journey - a tough journey in many ways. In itself, it is a real story - action, humour, love, thrills and spills. I have been incredibly fortunate on the show, I've done big difficult stories, some tragic stories. I have worked in Underworld and The Rovers - now I have this exit. To come back would have been an anticlimax - leave them wanting more!



Was it good to be able to work closely with Sally Ann again?


It was fantastic and was a complete delight to be able to work closely. It's been a difficult 18 months - constantly having to work at a distance and get that connection. Even not being able to work closely with the director. This week was very different to the daily process, much more like a film. The whole aspect of the stunt was such an experience. There was so much creativity and talent around us - it was quite a shock to work in that way again, but a good shock. I am glad now (that by leaving) I won't have to go back to working the old way again. I would have found that hard after being given that freedom for that short time.




Tell us about filming the stunts, how are you going underwater?


I loved it, I'm a pretty good swimmer. In my career, I have done water-based stunts before. I did a theatre production once that took place in waist-high black water. When I was on The Vet years ago, I had to rescue a donkey from way down in a pit trap in a cornish coal mine full of water and now this, so I am becoming a bit of an expert in the old water stunts. I blew up a monastery once with Rutger Hauer. One of the great things about being an actor is the incredible things you get to do, like filming in the mountains of Transylvania and shooting up restaurants in St Petersburg. So I have done quite a lot, to be honest, this is a crowning element, and despite it being a stunt it was all about the characters, too. It was great to be at the centre of it. It isn't just the stunt, the whole thing has felt like a small film. 


Do you think Johnny just lost his fight at the end, mentally as well as physically?


I did have to try and think about how he would feel at that moment. I don't know that he would give up. I think the utter exhaustion got him. When the voice of Aidan cropped up in the darkness, there was an acceptance of where he is going and he just feels that he has done his best and been honourable. He has made mistakes in his life - he has lost a lot. There is a balancing out of the rights and wrongs of his life, and he accepts it. 



You can feel that Johnny and Jenny love each other. What was it like filming those scenes?


It's important to get across their love for each other. For some reason, it just didn't quite work out for them. They are two wounded people but they were each too wounded to help the other one. They would have loved to have been able to help each other in their relationship but ultimately, they couldn’t. Those final scenes resolve that in some way and give them that love story and that eternity.



What are your highlights of working on the show?


I have had quite a lot of big and important stories, that were challenging to do, so there is a lot to choose from. Getting the job and starting with Faye and Shane was fantastic, getting to work in Underworld, and working in the pub also meant I got to work with so many different people. Aidan’s suicide was a hugely important story to tell and I am so proud of being a part of that. Carla’s mental health issues, Johnny’s struggles with his health, his secrets from the past and trying to make amends affected his mental health. There is an element of mental health issues running through that family. It's something that has always been close to my heart and something that I will be taking on in the future. I am also working with Esme’s Umbrella who raise funds and awareness for Charles Bonnet Syndrome, following Johnny’s story. The show has given me an awful lot. On the lighter side, I loved filming Johnny and Jenny’s wedding and arriving on a Harley Davidson!!


What will you miss most?


I will miss the team. Leaving is very emotional, but I will keep in touch with lots of people. As an actor, you get used to treating everything as just a job but, after almost seven years, it’s not just a job, it is a job where you work closely with the same people every day and I will miss them. But, that is the actor life!


What is next?


I am going to train and volunteer in a Forest School in Lymley Woods near where I live. We are fundraising and creating a pilot project around play, mental health and nature, primarily for children (to start with). I hope to make a documentary about that, and we are going to spend a year getting it all set up. It is something I'm looking forward to immensely. I will be doing some acting work, but the Forest School Association is something I am very passionate about, particularly getting kids out and about again after the past 18 months!


***


All the best to Richard Hawley. I wonder if Jenny will keep that J & J picture up in The Rovers backroom, as a tribute? 



@rybazoxo  Your Cobbles Connossiuer 






All original work on Coronation Street Blog is covered by a Creative Commons License

Thursday, 28 March 2019

See Richard Hawley in JB Shorts Play in Manchester


Richard Hawley, who plays Johnny Connor in Coronation Street, is currently acting on stage in the JB Shorts season of short plays in Manchester.

Richard stars in a play called The Outing written by Lindsay Williams. On a trip to the seaside, Nellie meets retiree, Frank. A last chance of happiness? Or will the ghosts of her past continue to haunt her?

Featuring Richard Hawley, Jeni Howarth-Williams (who played Elsie Howard in the Coronation Street 1977 plays held at the Lass o'Gowrie in Manchester a few years ago) & Kerry Willison-Parry.

Tickets are available for the following shows:
Thursday 28 March at 7.30 tonight, 

Friday 29 March at 7.30
Saturday 30 March at 3pm and 7.30 


The organisers advise that they're close to selling out and recommend buying tickets in advance.

Buy tickets here.

Fancy writing a guest blog post for us? All details here!  





All original work on Coronation Street Blog is covered by a Creative Commons License

Thursday, 27 December 2018

Coronation Street Blog Interview: Richard Hawley

Poor Liz McDonald. I'll bet she'd never have guessed that sleeping with Johnny Connor earlier in the year would lead to her being the victim of a hit and run on Christmas Day. Yes, Jenny’s downward spiral has involved tracking, an escort site, copious amounts of alcohol, bruises, broken ribs, and now accidentally running over, while drunk, the newly sacked barmaid she suspects of continuing to cheat with her husband.

It is Christmas after all, and when better for any sorry mess to come out? But, things may get a whole lot worse with Johnny having now taken the rap for Jenny’s crime. I travelled to Manchester with fellow blogger Martin Leay for a chat with Richard Hawley to get the low down on his character’s actions and what might happen next. If you don’t want any spoilers, it’s best to look away now.

So, why does Johnny risk everything by lying to the police and taking the rap? “Because he’s her hero,” says Richard, laughing. “Well, he’s got to, that’s how it feels, because she doesn’t stand a chance because there’s a lot of drink issues and so on.”

I asked Richard if the decision is a no brainer for Johnny, or if he is conflicted in any way. “It’s a no brainer,” he replies. “The consequences for her, because she’s drunk I guess, would be worse.” He adds, “It’s about love and protection of the people closest to you.” Richard also confirms that it’s a split second decision that Johnny makes. “I don’t think he’s thought it through,” he says.

Asked if he thinks it might it be because Johnny still feels guilty for cheating on Jenny, Richard replies, “Honestly, not really, no. I don’t think so anymore. I think that’s been the problem. I think that came out of a particular situation. He’s gone through it, I think he understands it, and the problem is, Jenny can’t leave it alone.” He continues, “Once all the drama is over, then you’re left with the sediment of it, and I just think she can’t get rid of it, and he doesn’t really know what’s going on. But he’s apologised a million times, and yeah, he just wants it all to be good and tight and start again.” While he may no longer feel guilty for his infidelity, is there a part of Johnny that blames himself for Jenny’s actions? “I think there’s an element of that. He takes responsibility for it, for sure,” Richard says. “He knows that she’s in this state because of what he did.”

Speaking of Johnny’s reaction on Christmas Day, having learned what Jenny has been up to, Richard says that while he adds it all to the list of “mayhem and madness” going on around them, “I think that there’s an incredibly protective element in their relationship. It’s taken a real wobble over this whole year. Out of this comes a huge amount of truth. It’s only borne of love, isn’t it.” He adds, “It’s mind boggling really, what she’s been up to. But, the drinking has been an issue, that’s been kind of difficult, so that’s something that’s worrying him. But in a way, as soon as you find out why, then even that’s kind of understandable. With all of this, we can start again, we can draw a line under all of it. Unfortunately, what happens is, we keep drawing lines, and then it turns out Jenny’s taken a couple of stumbles forward again, and there’s another line to be drawn.”

Asked if he feels Johnny can forgive Jenny for her actions, Richard says, “Yeah. They are growing stronger; if they could just work through this one. I think it was bound to come up. I don’t think you can go through those kinds of traumas and expect someone to just draw a line and it’s all nice and clean. She’s incredibly human and she’s been incredibly hurt, and for both of them, trust is obviously really important, and he’s broken it. What do you do except start again.” He adds, “Understand and forgive but be amazed and bewildered at the extent of it as well.”

Richard offers some interesting insights into how he sees this story. “I think it produces really interesting ideas about love, and how many people you can love and in what way we love,” he says. “There’s a really great moment where Jenny says ‘oh, so it was just meaningless’ and he goes, ‘no it wasn’t actually, it really wasn’t, it was actually quite deep, the whole thing was full of depth and love and friendship, and it was complex, and I’m not going to say it meant nothing, because it didn’t.’ So that’s where we are with it and she’s got that to face. But I chose her, and I kind of love that, ‘cos that’s the truth.”

Might all of this have been avoided if Liz hadn’t returned to work at the Rovers? “Well, it would have been swept under the carpet maybe,” says Richard. “I think it would have been a lot better if either Jenny had sacked her or that she’d chosen to go and you’ve got a kind of clarity about that and I wasn’t left in the middle of quite an intense stand off going on. It’s quite fun actually, being a ping pong ball between those two, because they’re both amazing actresses. So, it’s just been enormous fun. But yeah, it would have been easier, but then it wouldn’t have been resolved, it wouldn’t have come out and at some point it all has to come out. These are fears that, for Jenny, come out of a context, but they also come out of her context. She’s always had a vulnerability about her, and I’ve always felt that’s partly where the attraction is. There’s a bit of support going on.”

Asked if he thinks Johnny copped out of taking action himself, Richard laughs. “Listen, the pub’s a matriarchy, right? That’s how it is. Yes, perhaps, but he makes that decision eventually.” While Johnny did sack Liz on Christmas Day, we know, of course, that Jenny initially left it to Liz to decide whether or not to return to work. “She could have sacked her,” Richard says, “So she takes that territory. It’s between them, I feel. I mean, alright, there’s an action in there, there’s a trigger event,” he adds, “I’d like to say it’s nothing to do with Johnny, but it obviously is.”

Given the strong friendship between them that Richard acknowledges throughout the interview, he’s asked if he worries about Liz in the aftermath of her collapse. “Yeah, absolutely. He worries about Liz a lot,” he says, adding, “it was tough. The relationship, and the mistake, with Liz belongs to both of them, belongs to a time, belongs to a certain context of events. But in the end, someone has to go. These are two women who are frankly at war with each other and I’ve got to go with one or the other. So, I think he’s quite hard on Liz, but not from the heart, just because he’s just practical, getting the boundaries clear, so Johnny and Jenny can just crack on and start again.”

Asked if Jenny’s and Johnny’s actions in terms of the hit and run might put the pub at risk, Richard replies, “It absolutely puts the pub at risk. I mean, there’s an awful lot going on here, and we could both be taken out of the frame.” He adds, “I’ve got some good strong women who could run that pub though. I’ve got the Connors.” When it’s pointed out to him that they’re all rather busy, he grins, adding “ah they’ll pull a pint for me.”

So, no matter the outcome, can Johnny and Jenny save their marriage? “Absolutely, yeah, I think they’ll save it,” he says, “because I think they want to work hard on it. The question is, what are you saving? Are you saving something that’s honest, or are you saving something that’s still got all that unresolved stuff to be dealt with? And I think what’s happening is that that’s all coming out, and we know where we are with it. So we’re saving something that’s less burdened than before.”

While we’ll have to wait and see how all this pans out for the trio, it was a pleasure to chat with Richard, and I hope he enjoyed what he described as his best part of Christmas – “that bit where you just sit down, and you can get stuck into the big round tin of chocolates, when it’s all over, and you’re just left with the love and wrapping paper.”

By Emma Hynes
Twitter: @ELHynes
Instagram: emmalouhynes
Facebook: @EmmaHynesWrites





All original work on Coronation Street Blog is covered by a Creative Commons License

Tuesday, 5 June 2018

Richard Hawley interview: The end of Johnny and Jenny?


How would you describe Johnny and Jenny’s relationship at the moment?
This is the story of men’s difficulty in expressing feelings and in this case, Johnny is finding difficulty with grieving and of course he is deeply traumatised. He’s acting out the silence that Aidan lived in.

Does Johnny realise that he is pushing Jenny away?
Johnny is blinded to everything, he is keeping other people out, not deliberately but he can’t stop it. This is the danger of the difficulty of grieving. It’s an instinctive response to protect his own pain and vulnerability and it’s a classic case of you lash out at the ones closest to you.  

What happens when Johnny tells Jenny she is not welcome at the Chapel of Rest?
The trigger for banning Jenny is because she spills a coffee on Aidan’s suit which is almost like desecrating his son. He sees innocent mistakes as desecration because all of his feelings are elevated, you just can’t reach him. 

What are Johnny’s first thoughts when Imran and Alya tell him that Aidan has left her the factory?
Honestly for a moment, he can’t take it on board. This whole time is an absolute explosion of grief and feelings, cracking off in every direction. But he welcomes the fight as a distraction and a distraction from the fights he is picking around him. And he has been picking fights. 

What makes Johnny decide to turn to Liz for support?
Liz is an old friend and she has always been someone who he can talk with. She has good wisdom but that is confused now, without him knowing it, because she has actually developed strong feelings for him. 

What makes them share a kiss?
He is able to express himself with her. Somehow all the currents come together and they find a sense of warmth, intimacy and a gentle nurturing in a way that he and his heart needs. 

Do you think Johnny’s feelings for Liz are real?
Tears can heal the hearts pain but I don’t actually think it is real. It is of this moment and it is because he is grieving. 

Is the funeral a turning point for Johnny?
Within that day, he suddenly realises just how wrong he had interpreted their whole relationship, signs that had been missed from when Aidan was a kid that he hasn’t seen it. With a shove and a push at certain moments it could all have been so different and now he can see the truth he spends the day wishing it would be different. That’s an enormous revelation to him and I hope to the audience as well.

What were the funeral scenes like to film?
They are were amazing to film because what I do love about this storyline is it is a human domestic drama, it’s not relying on big stunts, it’s real people’s lives and that’s what soap can do incredibly well. There is some amazing writing in those scenes and again, like all the way through this story, there are strong statements about those signs we have missed. 

Did you ever think this storyline would have the impact that it has?
No, we knew it would have a strong, positive impact but the scale of it has been off the scale; people sharing stories, people saying that they have talked to someone because of this storyline. The scale of that has slightly shocked me; it has been incredibly moving and it needs to be because the storyline will all move on at some point but we want this moment to have a lasting effect. 

Have people come up to you in the street?
Yes, I was out the other night and a lot of men, big tough strong men, came up to me saying I had had them in tears and they get it. We’ve opened up something, that light is there now so I hope it will go on and people are starting the conversation. 

What did you think when you first heard about this storyline?
It has been an immense privilege, I only came to Coronation Street thinking I would have a few pints and sort out strikes down the factory! This is probably the biggest storyline of my life, professionally. I’m very proud of it and I think the whole building is very proud of it and I know that everybody went above and beyond, the extra mile, because it’s personal to many, many people. 

Why Coronation Street is tackling male suicide with this storyline?
It’s precious and it’s trying to honour people, it’s trying to prevent something happening and to start the conversation and I think it has achieved those things. That is what Coronation Street is founded on; there is a strong element of activism and always has been.

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