Novels by Coronation Street Blog's Glenda Young

Showing posts with label oliver battersby. Show all posts
Showing posts with label oliver battersby. Show all posts

Friday, 4 December 2020

Coronation Street Episode Review Friday 4 December 2020


With a couple of minor exceptions this evening really only looked at two of the current stories.  Firstly we said farewell to Oliver.  The extended family came together in Victoria Gardens to remember and celebrate Oliver and his three years with us which has passed in the blink of an eye.  Once that completed the hearse and accompanying car departed from Victoria Gardens and along Coronation Street (above as Sam reads his poem to Nick).  Having similarly lost a daughter through a genetic failure this has been a hard story to watch in recent months and with respect to all involved I am glad that it has come to an end.  In this house it has brought forth many memories as the story progressed and tonight those were of the proud white horses and the carriage taking our baby to the crematorium whilst in our garden a rose planted above her ashes is in bloom even in December.  


In the Vicky gardens segment there are reminders of recent events.  Steve has the favourite toy (above) - the red car; Sam has turned up to say goodbye to his "brother" - to which Leanne objects and Sam is left peering through the railings, later Sam reads a poem to Nick saying farewell to Oliver; Leanne denies Nick the possibility of travelling to the final ceremony and unceremoniously is told to take Sam home.  Steve having met another parent with a severely ill child determines that he is going to continue fund raising for good causes.  Thank you Steve - like to help the BDFA please?


There are some rumbles about the redevelopment plans - apparently Emmeline Pankhurst might have used Nuttalls Brewery for meetings and therefore the building may be of historic interest and capable of being listed.  And in a very odd scene Debbie plants something in a white car outside Kev's house.  I assume the car is supposed to be Kev's but what she plants in the footwell and why I cannot tell you - but presumably she is up to no good.  


The other main storyline concerns Yasmeen Metcalfe's court case where Imran's defence case look incredibly weak, Geoff is gurning for all he is worth (above as Yasmeen tells about being locked in a box) - with absolutely no effect on the jury who are watching it all from another room and would not be seeing his expressions which are purely for the Corrie cameras.  A man passes Imran a note and he smiles to himself - no doubt Toyah has sent him a little billet doux expressing her love for him.  But no - what's this - an announcement that Elaine has recovered from her nervous breakdown sufficiently to come and testify - praise the Lord - who guessed that was likely?  Imran lets her tell her story but the prosecution council soon tears her story to shreds - and the scriptwriter gets the storyline completely wrong.  Elaine is cross-examined about being in Weatherfield General and the absence of any evidence proving Geoff popped in to have a pop at her last night.  We know she was in a special unit in Oldham and Geoff obtained entrance using his latest poppet's card - and Oldham is not in Weatherfield.  Clearly the pandemic re-write lost continuity checks along the way!  


The prosecutor cross examines Yasmeen, Alya, Sally and then Elaine making up incredible, unbelievable stories and seeks yes / no answers.  Prosecutors do not do that to witnesses - they get the story they want told and the defence turns their stories over by using such tactics.  Finally Elaine turns on the prosecutor and tells her, woman to woman, that her history of mental illness stems entirely from the treatment Geoff meted out years and years ago and no she was not having a psychotic incident the previous evening when Geoff decided to inflict a little more of his controlling behaviour and that prosecutor should be ashamed of herself for making up such ideas.  

And Sarah lets drop in the Rovers that she heard Carla's "friend" (we know to be Adam) in the factory the morning after the night before.  This sets Peter's two remaining usable brain cells into action and he gives Carla the third degree about why some strange random came back to the factory with her.  Looks like it is all over bar the shouting.


At the end of the episodes Nick finds Leanne in the flat and she admits that she still loves him - but he deserves to be able to start a new life with his son and she will be moving out tomorrow (which is probably Monday) so that Nick can get on with his new life.  

Paula Wilcox was phenomenal, from Elaine's halting entrance seeing Geoff in the court, her docility as the prosecutor appeared to make mincemeat out of her story and then when asked if she and Yasmeen had "concocted" their story when meeting in prison and with a nod from Yasmeen she let rip as a woman who had found her courage and her voice - not just a soap - another real piece of theatre on TV.  And JH's words to work with undoubtedly helped - and also Sam [Jude Riordan] benefitted from the writing as he delivered his ode to brother Oliver.  Everyone involved tonight should be vey proud of their efforts.  And if I have been a little harsh (in my thoughts if not in print) over Leanne in recent months she did have her moment this evening in saying farewell.


Written by Jayne Hollinson and Jonathan Harvey whilst it was directed by Neil Alderton and John Anderson.

Kosmo
@Kosmo100






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Saturday, 7 November 2020

Coronation Street Episode Review Friday 6 November 2020


Welcome to a replay of Friday night on t'Street.  I have to be honest for much of the programme my attention was elsewhere as Southampton were thrashing Newcastle and going top of the Premier League for the first time ever.  If like Sean and Dylan I had been allowed in the ground to watch the match I would have watched these episodes later.  Some of the following may be a little sketchy.


Our main story this evening is Oliver (above in case you cannot remember), Leanne, Nick, Gail and Simon who has finally been found again.  Wendy the guardian has recorded all the verbal evidence she has been gathering on one of those little recording machines (which is odd as I thought everyone used their phone these days).  After talking to Simon she accidentally leaves it behind having taken a call about her next meeting.  Simon takes it back to Leanne and they listen to edited highlights, in particular when Gail decided to tell Wendy that Nick had been talking nonsense and the truth was that Leanne could not see what was best for Oliver (above Leanne is playing it and Gail's voice is saying the words shown).  Needless to say I then thought we were watching 'Enders as Leanne lashed out at just about everyone in hearing distance.  Gail and Simon replaced the recorder before Wendy knew it was missing and Gail made out that they had not listened to the contents and that Wendy would not want anyone knowing how forgetful she was.  {By contrast when I was in hospital recently and had to carry my own notes between departments they were sealed before being handed to me and again before the return from the scan - which I thought was overkill - I wonder what they had written about me?}.


Meanwhile Debbie and Ray are getting on with their plans to build a huge hotel (does Weatherfield really need a hotel? - oh yes for fornicating couples who are not married).  Sally puts the house on the market for £145k and within about 5 minutes Ray has made an anonymous offer of the full asking price.  Sally is not accepting - after all someone else might want it and be prepared to pay more once it has been properly marketed.  Debbie tells Ray off for his stupidity and also turns down his offer of sharing a non-marital bed in one of his hotels (although apparently they used to indulge in such activities - and to which I think she might be making some reference above).  


Dev acknowledges to the twins that he has got it all wrong and points out that being a single father is proving a challenge he things he is losing and asks Aadi and Asha what they think would be good for them.  Both agree that returning to Weatherfield High instead of Oakhill would solve Dev's money problems and they would not feel out of place.  Dev "reluctantly" agrees and then suggests inviting Corey to tea.  Turns out that Corey knows a lot about golf - being caddy for his father and he even knows who Seve Ballesteros was.  Conversely Asha is not impressed but Dev suddenly believes he has a second son!  And Corey is no longer the Mr Nice Guy not pressing Asha to take it to the next level - if she has made the adult decision to take the pill she must also have made the decision to sleep with him and pressure is applied (when "Big D" - a golf club nickname for Dev) is out of earshot (above).


In yet another unneeded raised voice session Michael Bailey visits Grace Vickers in prison to talk about the baby.  Clearly the bright young man (well he keeps having all those money making ideas) is struggling with the concept that Grace is actually telling the truth this time and to be honest who can blame him.  James makes it clear that Michael should avoid Grace in the same way as avoiding the virus and wash that girl right out of his hair, or use sanitiser, not sure which.  Michael may not been keen on Grace - but a baby is a different matter.  Quite possibly she will receive a lesser sentence when the pregnancy is used in mitigation.

Talking of court cases we do not see it but somehow Emma was in court this morning and was only fined - that must be a record between arrest and conviction!  Sean and Dylan are getting along a little better and the former is upset when Violet and her best beloved contact Dylan to tell him of a trip to Scotland and a five star hotel.  Eileen and Todd talk Sean down off the competitive ceiling and as a consequence Sean has realised that knicker stitching and part time barmaid have to be replaced and he needs to improve his life.


Craig also lets on to Sally and Tim that Geoff is telling a different story to the one Debbie told - Geoff insists Debbie wound him up (Geoff tells the truth) which Debbie of course denies (lying her head off). Faye was dumped by her two timing boyfriend on Wednesday and by the time this evening was finished she has made it clear to Craig (who gave Geoff Metcalfe a piece of his mind in front of Faye earlier) that they are now going out (above) and whilst the former great lump struggled to get his brain around the concept he realises that she is serious and that a man in uniform is attractive!

Written by Chris Fewtrell and directed by Ian Barber.

Not sure which of those two should take the blame.  I really don't think the prison scene should have needed raised voices and Leanne dumping Nick again and slamming doors - in a hospital - is just not on.  I personally feel that the Oliver story has been extended for too long - but then it does have a huge personal resonance and consequently I am biased.  Take care out there!

Kosmo







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Monday, 14 September 2020

Nick has a secret love child! Corrie blog interview with Ben Price

Fatherhood has come late to Nick Tilsley, in more ways than one. Shattered by Oliver’s recent diagnosis, which now seems terminal, the surrogate father is battling emotions, keeping strong for Leanne, and undoubtedly pained by the all-consuming grief. Therefore, the timing of bumping into his ex-Natasha Blakeman couldn’t be worse. Upon discovering she has a 9-year-old son - is Nick the lad’s Dad? 

In my third Corrie press day this week, I chatted with actor Ben Price to find out all about it. Having just dashed offset from filming dramatic scenes, the actor was in a candid mood.

Q - How is Nick feeling coping with Oliver’s illness and being the surrogate father? 
A - At the end, when he comes down to the final part of the decision on Oliver’s medical condition, he’s there to support Leanne but he’s not part of that final decision making. It does hurt him and he’s sad. He’s not angry about it as Steve seems to be stepping up now. It’s quite tragic. 

Q -  In the middle of all of this, Nick is dealt a bombshell by Natasha. How does he feel upon first seeing her in the hospital car park? 
A - I think it’s one of those things. The way I played it is he’s so overwhelmed by the Oliver situation that he fails to compute the gravity of it. If they’ve had met without this situation, it may have been different. It’s bad timing. 


Q- How does he feel when he then sees her with a child who's old enough to be his son? 
A - He’s overwhelmed and I think he would like a bit proof to work it out. Is she lying or what lies have been told, the guilt of not being there, guilt for what’s going on with Oliver. I think once it’s confirmed for him, then I think it’s huge for him. An amazing storyline but what a time to find out this news, when his stepson it dying! It’s too much for him and he can’t deal with both. He compartmentalises Natasha and Leanne for a while.

Q - With Oliver’s conditioning worsening, he’s not going to find the time to break this news to Leanne, is he? 
A -No and he tries and his Mum talks to him about it and Nick likes to play a straight bat and I don’t know whether that’s the right thing to do in this scenario. I don’t know whether he would have better to say, ‘not now, let’s meet in a year or six months’ but they don’t as it makes a great story! He then goes to meet his son, it’s a powerful moment. He then has to tell Leanne, deal with what she has to say and then deal with Natasha too. He’s over the moon, a protege for the factory! but it’s elation and devastation as Oliver is likely to die. 


Q - Nick and Natasha departed on very bad terms, with Gail in the meddling. How will the dynamic change with his Mum, with Natasha being back on the scene?
A - Well, that’s just Gail isn’t it? He’s going to have to take that. I think Gail makes an effort, with the child being the difference. Like with Kylie, and with Shiona, she realises that the grandchild is important, he’s part of Brian, so that seeps into that part of her history. She’s going to make the effort and Natasha has considerably changed. 



 - Is Nick concerned that Natasha has some unspoken agenda, to maybe get back with him and be a family unit and her previous behaviour?
A- Yes, I think he is at the start. He thinks he’s being played a bit, about whats happened. Then he realises that she’s done an incredible job in raising him, but he feels guilty about not being there. 

Q- Is he angry with her for mussing ten years of the child’s life? 
A -I think he’s sad that she felt she couldn’t come and find him to tell him about it. He feels its a reflection on him and not Natasha. He has driven himself through business but his personal life feels rubbish. 

Q- Filming in Oliver’s storyline and what’s coming up on the screen, has reached a really sad place. How have you felt?  

A - First off, Jane is amazing - I have to say that. She has carried this story from the off and has done for the last six months to a year. The way we are filing now, your in the hospital setting, all day every day. It’s been amazing, don’t get me wrong but it’s such a sad story. 

Q - Do you feel the responsibility, as an actor, when portraying such a tragic yet true-to-life story, with Oliver’s condition?

A - Yes, of course, you do- it’s very hard. I’d be lying if I didn’t say that I don’t go home at night and read more of the script and have a little cry. You feel it, you’ve got to, you’re paid to feel it. But sometimes, Jane does something or somebody plays a scene, and it just cuts you. Jane’s a Mum, you know. It’s an amazing story, and they weave all of these other parts in. I read the script and think ‘I want to know what’s going to happen next, too'
                                                         ***
I’m looking forward to seeing Gail’s response to Sam, are you? 

Keep your eyes peeled on the Corrie blog as I also chatted to Jack P Shepherd about David Platt’s 21 years on the street, the sinkhole, and Shona!

I’m @rybazoxo your cobbles connoisseur and Wednesday episode reviewer!




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Thursday, 28 May 2020

Coronation Street Episode Review; Weds 27th May 7.30 pm


A psychologist would have an absolute field day dealing with David Platt. His most recent danger spree (as a father of two, with a mentally ill wife) is not only reckless but to be honest, totally unbelievable. Yes, we know he's reverting to his well-worn character trait of psychopathy ( showing itself in stressful situations), but I do wonder where this is all leading? Who's got the kids, and who's running the barbers, whilst he’s running away from chavs on the Weatherfield sink estate? 
Covid-19 has to be blamed for the split in episodes, but still, it's pretty obvious where this story arc is going. 

This is all for Shona’s return of course.  


Now seemingly on the mend, visiting devil spawn Clayton in prison does nothing for Shona’s amnesia so Clayton decides to use this to his advantage; lying to her about David's capabilities as a husband. Why Clayton is still in the show and so long after Kylie’s murder, I’ve no idea. Surely there are better Corrie convicts to resurrect - maybe Rob Donovan, perhaps? Anyway, David gets collared by the gang of hoodlums but with the police in pursuit, he luckily avoids a beating. Newfound BFF PC Tinker is soon on hand to offer advice. Was that (pre) episode warning a tad over the top?


At the hospital, we get the news that Oliver's delayed responses are due to (drum roll) brain damage! Lovely stuff (!) Surely Nick will be a dab hand at helping and understanding Leanne’s trauma? Struggling with the news (she’s not the only one), I do have reservations as to how this story will conclude (I Think I know but I’d rather not surmise at this stage) 


Gemma's reluctance to post the vlog means baby Bryn has to accidentally push the laptop button, and hurrah I'm sure she will now be an internet sensation? That’s how it usually works on the show. Although ‘Krank Kev’s’ facebook page appears to have disappeared without a trace, Geoff’s ‘candid camera’ is yet to be discovered! 


Tommy O’s inception into the James Bailey storyline seems to have perked this scenario up a bit and I'm glad to see James fighting the homophobia. I’d imagine some terrace scenes for the future and maybe James confronting a stadium of lurid chants (once COVID-19 has left us, that is)? Back in the first team playing, and after coming out, Weatherfield county may be more supportive of James’s sexuality now? Michael also seems to be making some inroads with Grace. 

Dealing with Craig and Sarah, David is still uncomfortable too and seems resigned to the fact that he can run as far as he likes but his marriage is still all but over. 

Can Sarah persuade Shona to change David’s troubled mind? 

I think the sooner things are back to normal, the better. 

I am @rybazoxo your {self-styled} ‘cobbles connoisseur’ 




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