Last week was a funny old week. Having bought tickets to see
‘The Greatest Play in the History of the World’ and begun to plan where we’d
have pre(and post) theatre drinks in the West End, the festive cheer had begun
to take it’s grip and I’d allowed myself to stop mentally grumbling at the fact
Christmas had fully taken over London and we hadn’t even reached December. I
was de-Scrooged. Midweek my two-year old niece Ivy had sent me a cute video of her
saying “Hello Uncle Ste” for the first time, melting my heart, which reminded
me to book my train tickets home to Manchester for the festive break. I was
more than de-Scrooged, you could have wrapped me in tinsel and hung baubles
from my ears and I wouldn’t have complained.
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Then on Friday, London became gripped by that
all-too-familiar and all-too-regular chaos as sirens wailed through every
street, news alerts set our phones beeping furiously, and hearts sank as we realised it’d
happened again. Two people stabbed and killed near London Bridge. The attacker
shot dead. Not. Again.
How quickly things can turn around. The actions of one man changed
the mood of a whole city. One of the biggest cities in the world momentarily in
a state of shock. There are two ways of looking at what happened next. London
quickly went back to normal. People went back to work, tourists flooded the
city’s attractions. Trains and buses continued on their journeys. London was
London again. I worried that this had become too normal and people didn’t think
much of what had just happened. But in reality, people just weren’t willing to
let the terrorists win.
So on Saturday night, I, along with a few friends headed
down to the Trafalgar Studios. It was a cold evening and London was HEAVING.
The Christmas markets smelled delicious – and expensive – and my busker mate
Wayne was singing Christmas songs to delighted crowds underneath Nelson’s
column.
We took our seats in the small 90-seater theatre. Julie
Hesmondhalgh, sipping from a mug, was welcoming people in with that trademark smile and warmth. Dawn French was in, chatting to Corrie writer Jonathan Harvey, as
was actress Amanda Barrie who Julie greeted with a big hug (kicking myself that
I didn’t get a photo of THAT reunion!).
The set was simple. There were a couple of what looked like
bookshelves, but instead of books, shoe boxes filled the spaces, and in the
middle of the stage, Julie had placed her mug on the floor and the lights
dimmed.
“Voyager is NASA’s scientific programme involving two
robotic probes…”
Not the start to the play I’d expected.
Then Julie, the narrator, comes to life.
“Preston Road is a busy road…” That’s more like it. The
actor begins to describe where we were back on Earth. A pretty average road, in
an average town, with pretty average people living in it. As we meet the
various characters of Preston Road, footwear begins to make it’s way from the
boxes and across the stage. This was no longer a one-woman play. The characters
slowly come to life. But for some reason, time has stopped.
Julie’s infectious warmth, that strong Lancashire accent, and her smile
fill the room. She looks you in the eye as she tells introduces you to each character, making you
part of the performance. If you’re in that room you are probably familiar with
Julie and her work, but this is a new level of intimacy and it’s wonderful.
Joyful. Intense.
What follows is the stories, the lives, the loves and the
regrets of these characters.
But intermittently the arguable banality and normality of
these people’s regular lives is peppered with interjections from another Julie whose voice fills the room, and whose words seem to be channelling Carl Sagan, the celebrated author physicist and
astronomer. This is where the play is so emotive for me. Thinking about my
week. I was at my happiest and most relaxed on Saturday afternoon eating a battered sausage from the local
chippy and watching You’ve Been Framed. The day before, that terrible thing had
happened at London Bridge. And now I was watching one of my favourite actors
perform this amazing play and CARL SAGAN’s influence was booming across the
room.
If you don’t know much about Carl Sagan he wrote “Pale Blue
Dot – a Vision of the Human Future in Space”. It’s all about humanity, our
significance in the cosmos and how we might venture into the dark unknown. I’m
a big space geek so to learn that writer Ian Kershaw had incorporated his big, existential thinking into the play, which was effectively a love letter to his “favourite
actor in the world” Julie, was the cherry on the cake.
Julie had recalled earlier in the week on TV how she’d
dropped some hints to Ian about how there should be some obvious perks for an
actor being married to a writer. And so, in his cellar at home, Ian began to
write The Greatest Play in the History of the World, and he gave it to Julie as
a Christmas present.
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| "Hello Uncle Ste" |
I must admit there were points in the play, directed by Raz Shaw, where I was struggling to connect
the worlds of the residents of Preston Road to the musings of Julie the narrator, Julie 2 and the musings of Carl
Sagan. Not to mention the small matter of time standing still. But the play definitely got me thinking. About life, what makes me
happy, what really IS out there, and what will I leave behind? And in the whole
scheme of things – terror attacks, interstellar space travel, the climate
emergency – does my little life matter? The answer is of course yes. Who else
would write this, the greatest blog in the history of the world?!
I got home and thought about the play and how I would write about it. I fell asleep listening to Carl Sagan on YouTube. At around 4am, I think I was already awake, but I definitely was after a huge boom echoed across the city and my whole building shook. Windows rattled. An earthquake, I thought. Then I remembered the events of Friday and thought it could have been a bomb. I ran to the roof. No smoke, no mushroom cloud in the distance. Phew.
I checked Twitter and it turned out to have been a sonic boom from an RAF jet that had pursued an unresponsive airliner. I nodded back off to sleep thinking what a strange old week it had been in my little part of this pale blue dot.
The Greatest Play in the History of the World is a simple, touching yet profound piece of work, and you should go see it.
I am on Twitter: @StevieDawson
The Greatest Play in the History of the World is at the Trafalgar Studios until January 4, 2020. Book HERE.
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