In the third and final part of our
exclusive interview with David Neilson, David tells us about the relationship
between Roy and Hayley in Coronation Street and what the future may hold for Roy Cropper.
“A Perfect Duet - the Diary of Roy and
Hayley Cropper” by Coronation Street Blog Editor, Glenda Young, is available to
buy now. More information about how you can pick up a copy is available here.
The first part of our interview with David,
in which he talks about how he became an actor and some of his roles before
joining Corrie, can be read here. And the second part of our interview, which focuses
on David’s portrayal of Roy Cropper, can be read here.
Here is the final instalment of our
exclusive David Neilson interview…
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| David Neilson with Corrie Blogger, Martin Leay (Photo by David Doig) |
Martin Leay (ML): Did Hayley transform Roy as a character?
David Neilson (DN): When Hayley came in she
was going to be the first in a long line of disastrous relationships but
because she was so good and we worked well together they went ‘hang on, we’re
going to have to bring her back’.
ML: Was it a surprise when you found out
Hayley was transgender?
DN: The way we dealt with it, it was about
any kind of prejudice. Roy is very straight – it wasn’t ideal for him. It was a
big crisis but he was in love with this person, so therefore he had to deal
with it. There was always a bit of grit – it wasn’t easy. It was outside of his
realm. They were both up against society and I think the decency in people
identifies with that. And also, we both had immense sympathy for the
characters. We always went from the point of view of the integrity of the characters
above anything.
ML: Do you think Roy and Hayley helped to
shift attitudes in society for the better?
DN: What people related to was their
relationship. It was ‘we like them, we want them to be together’. That was
Roy’s thing: ‘if I leave this person, I’m less of a person than when we are
together’ and he discovered something that unfortunately for him wasn’t easy.
But that’s part of development, it is part of growing… life is a struggle. I
think people relate to that.
ML: How did you feel when you found out
Hayley was going to die?
DN: The writing was fantastic. I got the
scripts and it was like wow, this is quite difficult to read, so when we came
to doing it – you know it was huge – you get the pay off from a 15 year
relationship in real time and you realise you’ve been in their life. It has a
feeling of reality about it, which you can’t get in any other kind of show.
People have gone through all these experiences with them.
ML: It must have been very difficult to
film?
DN: Yes, because you go through it on a
daily basis scene after scene and then you get a pile of scripts and go home
with it. There is a huge responsibility involved because of what the subject
matter is. I had two friends die of cancer during that year and it was quite
surreal. The great thing about a human story is that it affects everyone. You
can have car crashes, fires and tram crashes but for most people, these things
don’t happen. This happens and affects people and so it’s an everyday human
story but immense – devastating. It does feel like a responsibility to the
story, to the character and to people watching. It was very difficult to watch.
I know a lot of people who couldn’t – and that’s quite understandable.
ML: Julie Hesmondhalgh says she cried after
filming her last scenes. Did you get emotional?
DN: The character cried. It was very
upsetting. I just remember feeling completely exhausted by it. I remember the
scene we filmed, the actual death; that was quite something. And it had never
happened to me before – Kay Patrick, who directed it, didn’t have any
interruptions. Normally you get retakes but she said ‘let them rehearse on
their own as much as they want’ and then we just did it once. It was a great
sense of concentration and everybody, the whole crew and team, was right at the
top of their game.
ML: You and Julie are very good friends. It
must have been great working with her?
DN: It was such a pleasure to go to work.
You might do several episodes one after the other so we’d be on all day and
sometimes we’d have such fun and the crew would be laughing and at the end of
the day you’re knackered but it’s such a nice job. It’s just messing about for
a living. It’s great. I actually do for a living what I got told off for at
school.
ML: But you’re very good at it!
DN: Well, getting away with it. It’s
finding that little bit of something. That’s the skill – and making a living
out of it.
ML: You picked up Best Dramatic Performance
at last year’s British Soap Awards. How does it feel to have your work
recognised in this way?
DN: What I have found is that it makes a
big impression on other people and that’s nice. It does change other people’s
perception of you. So I realise it’s better to win than not to but as far as
all the other stuff is concerned… I have been up for Best Actor several times
and I’ve not won it but I’ve never come away thinking I’m any better or worse
than I’ve ever felt about myself. ‘Best Dramatic Performance’ – it’s who cried
the most. And also, it depends on who has had the most lines and who has had
the storylines.
ML: Hayley’s exit storyline was beautifully
written but surely it would have been much less powerful without the wonderful
performances from you and Julie?
DN: It comes together. You can look like
the character and dress like the character but unless the words are there and
the situations are there – you’re up against it. I’ve been very fortunate –
with the people I’ve worked with and with the writing.
ML: Can you tell us what’s coming up for
Roy?
DN: I actually don’t know. It’s a choice I
make, really. It’s like life, it just happens. I’m working with Melanie (Hill).
I’ve done a couple of days with her. She’s great – a really good actor and a
nice woman. That’s the most important thing – that we get on. And we do, so
that’s fab. It’s interesting – it’s all wide open, really.
ML: I’ve read it is not going to be a
romantic relationship between Roy and Cathy. Do you think viewers are ready to
accept Roy with another woman at some point?
DN: It’s a completely new area for him. It
depends how it’s handled – it’s all going to be in the writing. Anything is
possible. I think it’s the appetite of the writers… and then I deal with it.
When it comes through that process, it lands in my pigeonhole and I’ve got a
pile of scripts and I go ‘oh, right, OK - what’s happening here?’ Again, it’s
like life. I don’t know what’s going to happen this afternoon.
Whatever did happen that afternoon, I hope David had a very Happy Birthday. It was an honour to meet him and learn
about his career and I am very grateful to him for giving so much of his time
to speak to the Coronation Street Blog. David is a great actor and, I am
pleased to say, a really nice guy - modest, friendly, funny and down-to-earth.
I hope that readers enjoyed these
interviews. If you missed Parts One or Two, they are available here and here.
I would like to thank ITV, David Neilson
and also Glenda Young for her expert editorial guidance.
Roy Cropper is a character that I have
enjoyed watching over the past 20 years – he has made me laugh and he has made
me cry. David Neilson has been involved in some of the most interesting and moving
Corrie storylines I can remember and never fails to turn in a first class performance.
Long may Roy continue to serve the most competitively priced organic breakfast
in Weatherfield (with allotment-grown tomatoes and mushrooms)!
Interview by Martin Leay
You can follow Martin on Twitter @mpleay
You can listen to Martin on Croydon Radio
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