Who can help but feel sympathy for Rita? She is battling
hard against her feelings and her fighting spirit must be admired. Her patience
too as Tina, Emily, Norris and Mary are all ready with the sympathy. We can’t
blame them – she’s a valued friend and something dreadful has happened to her. Rita
though stands tall, as Mary tells her how humiliating it is to have been thrown
over for Gloria. Not one to relish people feeling sorry for her Rita declares, ‘Nobody
died!’ Rita then continues with her positive spin as she says that she has
another year on the clock. Rita then receives a text which makes her wobble. It
is Dennis of course saying that he is sorry for everything and that he wants
her to forgive him. Does this suggest Dennis wants to return? Mary gives us
some of her ‘family folklore; this time Aunt Miranda pops up and she is most
definitely not someone to mess with. Mary regales us with the story of her Aunt
Miranda whose husband ran off with another woman. ‘Hell hath no fury like a
woman scorned’ seems apposite here, especially when she has an axe as Mary confirms
Aunt Miranda did have.
Just a word here about Tina who kindly offers to stay with
Rita – Tina points out that Dennis’s actions were cruel. Yes Tina they were and
what exactly are yours with reference to Carla, your friend?
What a tour de force from Norris and Rita – such convincing
acting and such wisdom and insightful comment on the whole business of love and
losing love and what happens as we age concerning the difficulties and
expectations we have about life. When you’re young you can cope with upsets and
difficulties, but when you get older and the world and its opportunitiesbegin,inevitablyto
close in, it’s not so easy to recover from life’s knocks. Bluntly stated, it’s
a question of time running out.
Rita tells Norris that she feels ‘humiliated, disappointed
and sad’ and Norris tells her that she is a stronger woman than anyone he knows
and that she is going to get through this. And we know she will. Rita reminds
us that when she first came to the street fifty years ago, Dennis was the only
one she knew and that there was something of the ‘chancer’ about him. And so it
came to pass.
To have the focus on
just Rita and Norris for a while, with no fussing Emily or Mary, having a cup
of tea in the most ordinary of places, works so well. It is all the more
touching and poignant because it’s Rita’s birthday. Rita, immersed in old
school pick yourself up, dust yourself down and start all over again, heads out
to The Rovers to celebrate her birthday. Audrey admires Rita’s determination
and tells of how she felt over Lewis. ‘I just wanted to crawl under a stone and
say there,’ confesses Audrey. ‘I’ve been eyeing that stone all day,’ says Rita,
but the very fact that she’s out shows that for now, at least, she’s not going
to let Dennis’s unexpected and sudden departure force her under the stone.
Liz gives Rita a drink on the house - a large one and, maybe,
Liz, who is currently single sees herself in Rita, in two or three decades. Liz has been single for
a while though she does seem to have her eye on Tony, Jason’s dad. Leaving the
pub, Norris, a true friend, offers to walk her home. Rita thanks him, and he
tells her that it’s not really very far out of his way, but Rita elaborates and
tells Norris that she’s thanking him for the whole day. Norris tells her that he supposes that today
will not be a day she will want to repeat. And, very importantly, that there
will be happy days again. ‘I don’t know how I would have got through today
without you – not in one piece anyhow.’ She continues, ‘You drive me to
distraction, but you’re a good man. Good night, my friend.’
Eileen is angry with her once blue-eyed boy, for whom she
had such high hopes and ideals. Todd tries to get into his mother’s good books
by making her a bacon sandwich but while she’s suspicious, though happy to eat
the sandwich, Todd, rather unkindly, declares they’ve run out of bacon when Eileen
invites Sean to come and join them, and the hurt was clearly displayed on Sean’s
face and in his hasty exit to work.
Knowing now that Todd and Marcus slept together, Eileen
takes it upon herself to have a word with Marcus when Maria goes to the toilet
in tbe bistro, during her and Marcus’ romantic meal. Eileen tells Marcus she
knows that he and Todd slept together and Marcus swears it will never happen
again. On her return, Maria is clearly unsure what Eileen is doing at their
table, but Eileen quite convincingly tells Maria that she’s worried about Sean
and wondered if Marcus might be able to tell her what’s wrong.
In the Streetcars office another mother and son confab is
interrupted by Steve and Lloyd’s return. Todd isreferred to as ‘the prodigal’. Later
Eileen confronts Todd again, but Todd makes a valid point. ‘Would he have slept
with me if he was happy with her?’ Eileen fights back with a simple imperative.
‘Stay away from him!’ But Todd has the last word. ‘Sorry, I can’t.’ He adds a
long, defiant look to add weight to his words. Earlier she had asked him if
wanted something because of the bacon sandwich making. ‘Life has made you very
cynical, mother’ Todd tells her. He has informed Sean that nothing will happen between
himself and Sean. Eileen hopes he’s been sensitive, a quality which Todd
informs his mother is his middle name. She puts him straight and tells him a
fitting name would be ‘Trouble.’
Roy seems to be coping relatively well. It is early days of
course since Hayley died, but at least he’s functioning and showing interest in
the parcel that came containing a scale model of the steam train which travelled
on Woodhead between Sheffield and Manchester.
Mary admires Roy’s restaraint at not opening the parcel and thoughtfully
has come to buy a ‘lttle something’ which she recognises won’t lessen Rita’s
pain and humiliation but as she states, ‘the cocoa bean can be one’s staunchest
ally in times of great stress.’
Kal’s father is now with us and we see why Kal appears to
have the weight of the world on his shoulders despite his father having agreed
to lend the money. It turns out that Kal was sacked from Sharif’s textile
factory, for sweeping too slowly. It also looks as though Sharif will upset the
arrangements and the agreed terms and payments with Jason. Maybe Jason’s dad
Tony and Kal’s dad Sharif will mess it all up between them. Parents eh! Who’d ‘ave
‘em? As Stella says, ‘Embarrassing their kids is one of the few pleasures
parents have.’
Phelan is becoming a nuisance to
Anna and so she decides to ‘mark his card’ and texts him to come round. Perhaps
Phelan cannot be blamed for misinterpreting the message, but surely on arrival
he realises that Anna is not attracted to him, though his arrogance is
overwhelming. He tells her he knows women like her who fear losing their looks
and who worry they are no longer attractive to men. Surely there should be no
mistaking Anna’s feeling when she says, ‘I love Owen, I love him! A shame Owen couldn’t have heard her say that.
Too upset to go to the bistro with the Phelans, she sends Owen on his own with
the girls. Izzy decides to check on Anna and is confused as to why she’s
drinking red wine if she has a headache and feels unwell. So the truth comes
out and Izzy, after some persuading, tells Gary. And so…
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Their relationship began when Leanne helped struggling father Peter to look after his son Simon and took a shine to both of them. However, their relationship hit a snag when Peter developed a drinking problem and had to attend rehab. But Leanne was angry to learn that he had a fling while away. Leanne left for Leeds but returned a few months later and they rekindled their relationship and decided to open a new bar under the viaduct. But while the bar was being built, Peter’s alcoholism returned and the plans were scrapped. But despite this, the relationship survived and they became engaged. Nick Tilsley then returned to the street and was interested in opening a bar under the viaduct and Peter encouraged Leanne to enter into a partnership with Nick.
