I am absolutely loving the return of Jenny Bradley. What an
asset to the cobbles she is. Sally Ann Mathews is a fine actor and can convey
emotion impressively through her facial expressions and body language.
There is something really intriguing going on. We saw Jenny
on the phone to work, last week, telling them that she couldn’t come in. She does this
when she hears that Jack’s child-minder will be out of action with a broken leg
for some time. Having effectively resigned from her job, she is free to take on
full time care of Jack. She tells Kevin that work has let her go.
Why, exactly is Jenny so on edge and sensitive
about anything to do with little Jack? And why is she so keen to conceal her
anxieties about Jack to Kevin? Regarding these mysteries, there has been much
speculation. Has Jenny suffered the loss of a child? Did she have her children
taken from her? For abuse? Neglect? The father run off with them? Or did she
have several miscarriages or a still birth or can she not have children? Or is it something else entirely?
Thankfully though, Jenny does seem genuinely fond of Jack
and doesn’t seem to be a danger to him – at least not yet. At the moment she
seems to want to wrap him up in cotton wool. He seems happy to be with her too.
When Jenny accidentally bumps into Maria, Jenny’s reaction
is fierce. No harm is done but Jenny rounds on Maria as if she deliberately
wanted to cause harm. Our reaction to Jenny is reflected in Maria’s reaction.
Then when Jack and Liam are playing together, Jenny is beyond angry when she
sees Liam hitting Jack and is determined to tell Maria how awful Liam is. She
asks Rita to keep an eye on Jack while Jenny bursts into Audrey’s salon and tells Maria that she’s,
‘not teaching him how to behave properly.’ Maria is badly shocked but there’s
more to come - Jenny slaps Maria hard across the face. Maria is shocked, as are
we. Jenny looks wild, intense and
insane. Where is this fury coming from?
Sophie is highly suspicious of her dad’s new girlfriend,
understandably so. Jenny tells Kevin that she wasn’t the one who hit Maria
first, but that it was, in fact, Maria who assaulted her first. Though she shouldn’t have, Sophie rummages through
Jenny’s bag and discovers Jenny’s work badge. She actually rings the employer
and discovers that she didn’t get the push, as she had claimed, but that she
left of her own accord. The trouble is that Jenny discovers Sophie looking in
her bag, which is inexcusable. This turns her dad and Maddie against her.
Sophie is so frustrated that no one believes her. On hearing from Luke the story that
Jenny is putting out that it was Maria who assaulted her, Maria arrives in the pub to tell the truth.
She says to Jenny, ‘Are you off your head? Are you denying you hit me? You’re
tapped in the head. You’re lucky I didn’t phone the police.’ She adds, ‘You
want to watch yourself with her Kev.’
Sophie decides to visit Maria to tell her that she, Sophie,
believes her. Kevin though is putting his foot down. Jenny’s ‘ All I’m trying
to do is help,’ convinces Kevin. So yes, it’s true - love is blind.
Norris though concludes that, ‘Both women are of questionable repute.’ But, no
offence, he does want Dean Martin and Acker Bilk on the juke-box. And who can
dislike Stranger on the Shore?
Chesney channels his inner Othello and becomes jealous of
Sam who Sinead became friendly with in hospital. Jealousy is clearly not a
rational emotion, so it is no use being cross with him. Sam gives Sinead a
goodbye present, which really bothers Chesney, but is in fact a very sweet
gesture. Later he also returns Sinead’s pyjamas. Sam sees that Chesney is upset
and calms him down. Sam tells Chesney that Sinead is a lucky girl to have as good
a boyfriend as Chesney is. Sam says he’ll not get in their way, but will he
keep his promise?
Of course, Sarah is now a barmaid in The Rovers. She
succeeds in persuading Liz that she needs her. Her new job is perfect for
Callum. She can’t walk away and so he can talk to her as often as he likes, now
she is caught behind the bar.
Bethany is starting her education at Weatherfield
Comprehensive. She chooses to begin her studies in bright red lipstick and a
very short skirt. Uncle Nick comes over all paternal and tells her a few home
truths, while disapproving of her skirt length and make up. He even produces
the classic, ‘Get that muck off your face.’
There is still clearly an attraction on Nick’s part at
least, to Carla. In Roy’s Rolls Bethany shouts out, ‘Hi Carla!’ For someone
fourteen years old, she certainly has confidence and thinks it’s alright to
leave ‘the zoo’ when she sees fit, though has promised to return tomorrow. On leaving the café, she says to her mother,
‘Let’s give the lovebirds some privacy.’ Cheeky or bold?
Carla sees Chesney on a bench and says to him, ‘The last
thing that girl needs is you moping around with a face like that.’ Well said
Carla and we know her too well to just be asking after Sinead to see when she
will be returning to Underworld. Shame on you Chesney. Oh - And the pig was a
good idea but the nightie? Really? Never mind, you meant well.
I’m rather looking forward to the friendship between Cathy
and Roy, though she doesn’t accept his offer of taking her for a drink. We know
she has lost her husband recently and often loss of confidence goes hand in
hand with a bereavement. As Roy goes upstairs to change his cardigan, Cathy
disappears. He finds her at the bus stop, but before he can call her a taxi,
she has set off walking.
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