It’s another Friday night, and another arrest in the strange
case of who pushed Ken as DS MacKinnon sets her sights on her latest suspect,
Adam Barlow. Cue round forty of suspicious glances as the news filters through
the clan who, it has to be said, look a tad fatigued at the
development. It gives Tracy
more cause for concern than most, however, as Amy reveals it was her that
called the police.
Adam’s fingerprints appearing on a kitchen worktop that was
fitted the night of the attack pins him to the scene, but surely not the
specific time. Confused about the worktop? You're not the only one.
In any event, Adam’s currently in the frame, and as Peter, not the police, delivers the news to
Ken, he sorely wishes he could remember what had happened to him.
As I’ve said before, I’ve loved the expansion of the Barlows, the performances by all involved, and the drama that has unfolded, but it is complex and very detailed, and I
admittedly have found myself watching and reading back to refresh my memory on various aspects of it. In all my time as a Corrie fan, this is a
first. Maybe such complexity suits a film, play or extended episode where it's the entire focus, and everything is wrapped up within a timeframe that ensures it's remembered in its entirety. But with soap, where something plays out over long periods, is interspersed with other storylines, and with days between episodes, it's not as easy to immediately recall where everything is at with a plot so reliant on us recalling such detail.
There are added dubious expressions chez-Toyah as she
and Peter meet a solicitor to discuss the Chloe situation. Pressed to be honest, he reveals he both flirted with and kissed her, but
pushed her away “after a few seconds”. Toyah is none too pleased, and the fact that he withheld this from her up to now has to
have her wondering if he's lying about anything else. He isn't kicked out, however,
she merely heads for a bath with a cross face. I’m still of the opinion that having
a baby is her number one focus, not the relationship, and that there is no chemistry between this couple. Again, this is apparent because we’ve seen how
brilliant they can be with other partners.
Suspicions also abound at the factory where Johnny seems
frustrated at the volume of wedding talk afoot, and Jenny’s bid to rival Miss
Havisham with her wedding “nerve centre” in the stockroom. Determined to confront
her about stressing her Dad out, drunken Kate is struck dumb when asked to be
bridesmaid. I’m disappointed if health issues or difficult times lie ahead for
Johnny, not least because I like the character, but there are already enough serious storylines without adding another.
We already know Nathan is sinister, but the
level of manipulation underway really showed itself in these episodes. Taking a
photo of Bethany making breakfast in what appears to be one of his shirts, and
the response he receives from his acquaintance Neil after texting it to him, is
vile. Worried Sarah is furious to hear Bethany
hasn’t been going to school, and Nathan suggests he approach her to smooth
things out. It seems every encounter presents an opportunity to further his
plans, however, and as he deceives both mother and daughter, he succeeds in
driving a serious wedge between them.
As Bethany
tearfully delivers the news to Sarah by phone that she is moving in with him,
and he sits goading her while Sarah cries at the other end of the phone, there
is great sympathy for the pair and it shows the level to which someone can succeed in manipulating others to meet their own ends. While this is not an easy watch, it is being handled and portrayed brilliantly by all concerned.
Even the prospect of Freddie moving on isn’t
enough for Rita to take his olive branch of an invite to his leaving drinks in
the Rovers. I’ve always liked Rita, and thought it was disappointing that she’d
continue to hold a grudge over a fruit machine argument that should never have
happened. In any event, it sets the stage for Freddie to arrive in with the £100
she wasn’t entitled to, and a poster for one of her shows in the Zambezi . Despite the fact that I think she was in the wrong, it
turns out to be a very touching scene. As is the one in which he says farewell to Max and Lily and remembers how Kylie had been so good to him.
It’s
a shame to see Freddie go without ever having gotten to be a strong part of a
main story. I enjoyed his relationships with Audrey, Luke and Tyrone in particular, but his role never went beyond a certain level. The fact that he doesn’t turn
up to his own leaving party seems oddly symbolic of his time on the show;
always around the action, but never wholly in the centre. Hopefully Derek Griffiths will return to reprise the role some day with a meatier storyline.
Rob Donovan finally reveals to Tracy what led to his escape. As stories go,
well, it was out there. A prison gang, corrupt prison officers, an attempted
suicide by an assaulted cell mate, Rob doing the right thing by risking his
life and telling on them, a transfer to a safer prison disturbed mid-journey by outside
gang members deliberately crashing into the prison van, Rob escaping, and it
never making the news, or even social media. Wow. Not even Peter Barlow
could come up with a yarn as sensational. I’m not saying I don’t believe Rob,
but it’s quite the tale. On hearing this, Tracy
decides it’s all too risky to keep harbouring him, and you'd wonder what he'll do next.
As you'd expect, these episodes were brilliantly written by Damon Alexis-Rochefort with Mary's lightheartedness, smug Jennybradley, excitable Eva, and David's asides all particular highlights.
By Emma Hynes
Please read our advice for leaving comments on the Coronation Street Blog
All original work on Coronation Street Blog is covered by a Creative Commons License
You're never quite sure whether to believe Rob or not. He always tells a believable tale and perhaps there's some element of truth in there somewhere. Why were they transferring him? Perhaps it was just from overcrowding in one facility because I recall they've moved Big Jim a couple of times over his early years in the Big House.
ReplyDeleteIs it legal for a man over twice minor's age to be involved with her? I know people tolerate this sort if thing but if my underage daughter was refusing to come home, I'd contact the authorities.
ReplyDeleteRob's story is suspicious but the odd thing isn't his explanation, it's that a prison van attack resulting in the escape of a killer from Coronation street hasn't attracted much attention there.
I'm very disappointed in the mean spiritedness of Freddie's exit.
ReplyDeleteIt was bad enough when Rita condoned Michelle's lock in of the Rovers and assault on Eva in exchange for a few drinks but to accept all of Freddie's winnings she did not deserve as his 'apology' did not seem right, just as it wasn't right for Gary to threaten David to give his windfall to Anna as 'compensation' only for Kevin to blow part of it on dinner at the Bistro for family and friends.
It's sad that no one is allowed to have joy or good luck anymore,it's taken away by someone'e greed and sense of entitlement.
Yes, the meal in the Bistro was unnecessary unless it's to show that Kevin can't hold on to money. To be fair to Rita, she thought the money would be enjoyed by everyone at the pub and she wasn't to know that Freddie would disappear. However, she was mean to him up to that point.
ReplyDeleteBethany, at 16, can legally leave home without parental consent. When Sarah eventually contacts the authorities, they may well send round a social worker and Nathan will persuade them all is well. Case closed. If I remember right, Katie Harris was 16 and none of the authorities were involved then.
Rob says there's a press ban on the crash.